Mal ajusté, 2026
Painting : oil, acrylic, marker · 50 x 50 x 2 cm 19.7 x 19.7 x 0.8 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 120
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
50 x 50 x 2 cm 19.7 x 19.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
This captivating artwork presents an asymmetrical face with bold geometric shapes. The artist uses vivid, contrasting colors, such as blue, yellow, and pink, to create a striking visual effect. The disproportionately large, intensely blue left eye immediately draws the eye, while the smaller, pink right eye adds an intriguing duality. The facial features are deliberately distorted, lending the whole a striking expressiveness. Thick black lines define the contours, accentuating the almost Cubist character of the composition. The background, rich in textures and shades of blue and green, adds further depth to the canvas. This work demonstrates an exceptional mastery of facial abstraction, defying traditional portrait conventions to offer a bold and modern interpretation of identity.
Presentation
I started my career as a salesperson before becoming a decorator, where I began designing lamps... my meeting with a graffiti artist in 2017 marked a decisive turning point in my career.
I express myself through painting as others scream or cry.
I work mainly with oil sticks – I like this thick, raw, almost wild material. I use my finger to feel it, to stay in contact. Getting my hands dirty is part of the process: the more I'm immersed in the material, the more alive I feel.
My journey isn't linear. There wasn't a clear turning point, but rather a constant ebullition. My style took shape little by little, until a small, recurring face—my gaze, my double, my silent witness—took over. This figure, sometimes a sad clown, sometimes a monster, has become my graphic signature.
My work is very instinctive, but never gratuitous. Every line, every contrast between a "human" eye and a "bulging" one, between a tense or smiling mouth, speaks of this inner tension: between the wise and the trashy, between my upbringing and the anarchist fire.
If my paintings could speak, they would surely say:
“Look deep into me… and now, what do you really feel?" My painting is a mirror. And sometimes, a therapy.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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