Face à 2026, 2026
Hanna Sidorowicz  

Painting : ink · 27 x 46 x 2.5 cm 10.6 x 18.1 x 1 inch

€1,100 1 100 €

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Shipped from: France

Delivery to: France , € 35

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

ink on Linen

Dimensions ( cminch )

27 x 46 x 2.5 cm 10.6 x 18.1 x 1 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2026

Description

This captivating work presents an ethereal human silhouette, painted in black ink against a pristine background. The figure appears to be disintegrating, its blurred contours evoking a sense of fragility and impending disappearance. Splashes and fluid strokes surround the silhouette, adding a dynamic sense of movement. The choice of black and white amplifies the contrast between physical existence and absence, creating a contemplative and introspective atmosphere. The empty space, dominated by a subtle gradient of gray, accentuates the subject's isolation, placing it at the center of the viewer's psychological arena. The work's ambiguous interpretation invites reflection on the transience of life and the essence of human identity. It is a poetic exploration of the ephemeral, where the artist skillfully blends abstraction and expressiveness to capture the viewer in a profound and silent dialogue.

figurative

Lines

Fictional Character

Silhouette

Black

Hanna Sidorowicz, Face à 2026
France  • 1960
50 followers

Presentation

Hanna Sidorowicz was born in 1960 in Poland. She is soon supported by influential actors in the art world such as Pierre Cabanne and Cecile Debray. Many exhibits in art fairs (FIAC 1990) and artgalleries (France, USA, UK, Denmark...) followed over the next 20 years.

Forging links between past and present, word and image, abstract and real, Hanna Sidorowicz's work is defined by opposition and synthesis. She pays homage to the Old Masters (Leonardo Da Vinci or Rembrandt) and by the great abstract painters of American origin, but she also pays homage to the new, drawing inspiration from the spontaneity and dynamism of the Abstract Impressionists. Her paintings exude a purity and simplicity which conceal a complex creative process, a layered evolution, born of superimposing different textures, mixing calligraphy and drawing, creating a mystery and symbolism which evoke references to the past and to scripture.

Thus Sidorwicz questions the meaning of time, the importance of the past in the creation of the new and builds her own world somewhere in the space between. The compositions themselves grow out of this duality: ethereal, sometimes melancholy, figures are juxtaposed with a solid, architectural backdrop, uniting the divine and the earthly, giving presence to the immaterial, creating a world that is as subtle as it is striking.


This Sidorowiczian universe, peopled with angels, the faces of wise old men and colored sketches inspired by the canvases of the great masters of the 20th century, produces a cultivated and refined work, a sort of visual thought incarnated in colored matter and line.

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