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The Garden Parlour -At Audrey Hepburn’s, 2026
Victoria Horkan  

Painting : oil · 100 x 100 x 4 cm 39.4 x 39.4 x 1.6 inch · Ready to hang

CHF 3,925 3 925 CHF
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Shipped from: United Kingdom

Delivery to: Switzerland , CHF 106

Estimated delivery: Less than one week

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Sold with certificate of Authenticity from the artist

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 100 x 4 cm 39.4 x 39.4 x 1.6 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2020

Discount

This seller offers discount when you purchase multiple artworks.

Description

This vibrant artwork features a mesmerizing explosion of color and texture, capturing the viewer's imagination. A dynamic blend of bold hues—rich blues, fiery reds, and radiant yellows—meld together in a captivating dance across the canvas. The swirling brushstrokes create an impressionistic bouquet of abstract floral forms, evoking a sense of movement and life. Each petal and leaf is rendered with thick, textured layers of paint, adding depth and dimension to the scene. Amidst the movement, hints of luminous light peek through, suggesting a hidden source of warmth and vitality. The composition's abstract nature invites viewers to interpret and immerse themselves in its enchanting flow. This artwork's unique blend of vivid color, expressive strokes, and textured detail establishes a powerful visual experience, leaving a lasting impression of energy and beauty.

Abstract

Floral

Garden

Colors

Expressionism

Semi-abstract

Yellow

Dark blue

Victoria Horkan, The Garden Parlour -At Audrey Hepburn’s
United Kingdom  • 1975

Presentation

Victoria Horkan is a British contemporary artist whose richly textured paintings explore the places we retreat to — both real and imagined — when the world becomes too loud.

Known for her expressive use of colour, movement and sculptural surface, Horkan creates paintings that seem to exist somewhere between the natural world and memory. Forms reminiscent of water, petals, wings and underwater landscapes emerge and disappear across the canvas, inviting the viewer to find their own meaning within them.

Behind the beauty and energy of the work lies a deeply personal story.

Growing up within a turbulent home, Horkan often sought sanctuary alone in her room, distancing herself from the noise and unpredictability around her. In those solitary moments, imagination became a form of escape. She remembers becoming absorbed by colour, pattern and shape — constructing private worlds in which she could disappear for a while.

That instinct has remained with her.

Water, in particular, has become an important recurring presence within her work. It can represent freedom and weightlessness, but also the sensation of being overwhelmed or submerged. Against it, colour becomes something altogether more powerful: energetic, optimistic and life-affirming — a way of finding the surface again.

For many years these experiences existed quietly beneath Horkan's paintings. Only more recently has she begun consciously allowing childhood memory, sanctuary and escapism to become part of the language of her work.

The result is painting that operates between two worlds: the physical and the imagined.

Working predominantly in oils and mixed media, Horkan builds her surfaces through layers of colour and tactile, almost sculptural forms. Her background in textile design remains visible in her instinctive understanding of pattern, repetition and materiality, while gestural marks introduce movement and unpredictability.

Recurring organic forms can suggest petals, coral, feathers, foliage or creatures beneath the surface, yet Horkan deliberately resists defining them. What one person sees as a flower, another may experience as an underwater landscape or a half-remembered childhood place.

This ambiguity is fundamental to the work.

Rather than telling the viewer what to see, Horkan creates a space for them to enter.

Her paintings ultimately concern something universal: our capacity to retreat into imagination, to transform difficult experiences and to create places — however fleeting — in which we feel safe, free and entirely ourselves.

Each painting becomes its own small world.

And the viewer is invited to decide where it takes them.

Reviews from our customers

All our reviews are extracted from Verified Reviews

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