Paisible traversée, 2023
Alain Abramatic  

Painting : oil, collage · 150 x 100 x 3 cm 59.1 x 39.4 x 1.2 inch · Ready to hang

$6,408 6 408 $US
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Shipped from: France

Delivery to: United States , $ 762

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

150 x 100 x 3 cm 59.1 x 39.4 x 1.2 inch Height x Width x Depth

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Credentials

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Description

Peaceful Crossing evokes a suspended moment, as the boat moves forward with apparent ease, carried by a calm sea and a steady wind. Formerly a rescue boat, the sailboat retains in its silhouette a memory of vigilance and human presence, now transformed into silent and serene navigation. Paper collages give the sails a supple and vibrant texture, traversed by transparencies and light folds. This texture suggests a constant, non-violent breath, a gentle propulsion that guides the gaze toward the horizon. The sand, integrated into the paint, evokes the discreet swell and the continuous friction of the water against the hull. The white gesso ground opens the canvas like a space for breathing. The painter's gesture is inscribed with restraint: visible traces, elongated lines, areas left unfinished. The whole does not describe a journey, but a lasting sensation: that of a slow, controlled, almost meditative movement. Peaceful Crossing acts as a sensory reminder. The work invites us to rediscover a familiar state: the calm of movement, the confidence in the course, the silent presence of the wind and the sea. A painting conceived as a space for inner projection, capable of instilling in the place an impression of extended time and active serenity.

Alain Abramatic, Paisible traversée
France  • 1956

Presentation

Painting is a material and spiritual journey that I take around my first passions, mountains, water, sailing, sea and music. Since my beginnings in 1974, I have trained with other painters. First very inspired by the vibration of colors in the Impressionists and the Fauvists, I turned in the 80s to watercolor, whose transparencies I appreciate. 

 

Finally around the 2000s, I discovered contemporary painting and mixed techniques opening up the field of possibilities. Indeed, by preparing my paintings with collages of paper and sand, I create textures where the paint, very diluted in the manner of watercolors, reacts by drainage or by diffusion to leave its own mark. By the gesture, I print the energies. By the softness of the transparencies and the relationship to emptiness, I register my emotions. Each painting thus invites to a poetic journey.

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