Hommage A Motherwell, 2019
Hanna Sidorowicz  

Painting : pigment ink · 30 x 40 x 0.1 cm 11.8 x 15.7 x 0 inch · Ready to hang

€1,100 1 100 €

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Shipped from: France

Delivery to: France , € 30

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30 x 40 x 0.1 cm 11.8 x 15.7 x 0 inch Height x Width x Depth

Artwork dimensions including frame

40 x 50 x 2 cm 15.7 x 19.7 x 0.8 inch

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Credentials

Vetted seller since 2026

Description

This intriguing work depicts four black, blurred, and indistinct silhouettes against a white background. The bold use of black ink, with its irregular and diffused contours, generates an impression of movement and mystery. The silhouettes seem almost to levitate, teetering between existence and evanescence. Above, a brownish horizontal line, with its vanishing appearance, could evoke a barrier or a horizon line. This abstract work masterfully plays with contrasts and textures, prompting introspection on presence and absence. The shades of black and subtle splashes underscore the fragility and transience of human existence. In contrast, the surrounding empty spaces amplify the dramatic effect. This painting, though minimalist, engages the viewer in a profound reflection on identity and perception.

Abstract

figurative

Lines

Semi-abstract

Fictional Character

Silhouette

Black

Hanna Sidorowicz, Hommage A Motherwell
France  • 1960
57 followers

Presentation

Hanna Sidorowicz was born in 1960 in Poland. She is soon supported by influential actors in the art world such as Pierre Cabanne and Cecile Debray. Many exhibits in art fairs (FIAC 1990) and artgalleries (France, USA, UK, Denmark...) followed over the next 20 years.

Forging links between past and present, word and image, abstract and real, Hanna Sidorowicz's work is defined by opposition and synthesis. She pays homage to the Old Masters (Leonardo Da Vinci or Rembrandt) and by the great abstract painters of American origin, but she also pays homage to the new, drawing inspiration from the spontaneity and dynamism of the Abstract Impressionists. Her paintings exude a purity and simplicity which conceal a complex creative process, a layered evolution, born of superimposing different textures, mixing calligraphy and drawing, creating a mystery and symbolism which evoke references to the past and to scripture.

Thus Sidorwicz questions the meaning of time, the importance of the past in the creation of the new and builds her own world somewhere in the space between. The compositions themselves grow out of this duality: ethereal, sometimes melancholy, figures are juxtaposed with a solid, architectural backdrop, uniting the divine and the earthly, giving presence to the immaterial, creating a world that is as subtle as it is striking.


This Sidorowiczian universe, peopled with angels, the faces of wise old men and colored sketches inspired by the canvases of the great masters of the 20th century, produces a cultivated and refined work, a sort of visual thought incarnated in colored matter and line.

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