Ecosystem of Becoming (1), 2026
Painting : acrylic · 110 x 105 x 2 cm 43.3 x 41.3 x 0.8 inch · Ready to hang
€2,200
2 200 €
Shipping & delivery
Shipped from: Germany
Delivery to: Italy , € 127
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
110 x 105 x 2 cm 43.3 x 41.3 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Discount
This seller offers discount when you purchase multiple artworks.
Description
In this evocative composition, the artist constructs a symbolic universe where figuration and abstraction coexist within a fluid, dreamlike continuum. The surface unfolds as a psychological landscape — a space where forms appear not as fixed entities, but as transient presences emerging from memory, instinct, and subconscious imagery.
The chromatic field is built upon a luminous gradient of warm rose, coral, and violet tones, dissolving into cooler undercurrents. Within this atmosphere, vivid red figures assert themselves with striking immediacy. Their linear, almost calligraphic presence cuts through the softness of the background, creating a dynamic tension between precision and dissolution.
These figures — ambiguous, hybrid, and archetypal — resist narrative closure. They evoke fragments of myth, ritual, and primal gesture, suggesting a language that precedes logic and representation. The composition operates as a visual syntax of symbols, where meaning remains open, shifting, and deeply subjective.
The artist's gesture alternates between control and spontaneity. Fluid lines, drips, and layered marks retain the immediacy of the hand, while contributing to a carefully orchestrated balance across the surface. The interplay between density and emptiness, presence and absence, gives the work a rhythmic, almost performative quality.
Echoing elements of neo-expressionism and symbolic abstraction, the painting situates itself within a contemporary discourse on identity, memory, and the subconscious. It does not depict a scene — it reveals an internal topography, where emotion takes form.
This is a work that invites interpretation rather than resolution, offering the viewer a space for projection, reflection, and imaginative engagement.
Presentation
Visual Artist | Master of Layered Abstraction
In the international art circuit, the name Harold Richter inevitably invites hushed inquiries into a profound legacy. Shared heritage and a common aesthetic DNA link him to Gerhard Richter, yet Harold transcends mere stylistic alignment. He operates as a custodian of the complex philosophy of "erasure," leaving the exact nature of his relationship with the elder Richter an enigmatic subject of debate within the corridors of European galleries.
The Method: Conceal and Reveal
Harold's creative process is guided by a singular credo: he "allows things to come rather than creating them." His abstract works are the result of an incremental, almost geological accumulation of non-representational layers. Each painting evolves as a visceral reaction to the process itself—to the chance patterns and emerging textures that appear on the canvas.
Utilizing signature techniques of blurring and scraping, Richter simultaneously conceals and reveals the painting's history. His tools act as an archaeologist's brush, peeling back layers of time and pigment to find the balance between what is lost and what remains.
Global Presence
Harold Richter's works have become objects of a quiet cult following among major collectors. His paintings are held in prestigious museum and private collections across the United States, Germany, France, England, Austria, Italy, and Japan—standing as a testament to art that is as visually arresting as it is intellectually elusive.
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