Festival, 2025
Painting : oil, collage · 50 x 50 x 2 cm 19.7 x 19.7 x 0.8 inch · Ready to hang
€540
540 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 65
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
50 x 50 x 2 cm 19.7 x 19.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
This work approaches abstraction with boldness and sensitivity. Against a textured background in warm shades of orange and beige, fluid, organic forms emerge. The central element, in black and orange, intrigues with its bold juxtaposition of flowing lines and geometric shapes. To the right, an enigmatic figure in yellow and white stands out, seeming to survey the space with a unique presence. Flashes of turquoise add a vibrant dimension and delicately contrast with the dominant tones. The dynamic brushstrokes infuse a palpable energy, creating a captivating visual dialogue. This work challenges with its balance between spontaneity and structure, evoking both intuition and contemplation.
Presentation
Born in 1967 in Grenoble. Frédéric Batard discovered painting alongside his grandfather, a watercolourist. From an early age, he assiduously frequented museums and libraries and was passionate about abstract art and design.
At the age of 19, he took the plunge and made his first paintings. For five years, he created tirelessly, then stopped to devote himself to his job as a physiotherapist and his family.
At the same time, he is expanding his collection of contemporary works and advertising posters.
In 2010, at the instigation of his new partner, he got caught up in the game and rediscovered the pleasure of painting. A mad desire to make up for lost time motivates him. He exhibited his first paintings in his Cabinet. A patient offers him to exhibit at the 'Auberge des Peintres' in Optevoz in the footsteps of Corot and Daubigny, he accepts. The adventure is launched. A journalist nicknamed him "the color massager".
Since then, he has been regularly selected in salons and exhibited both in unexpected public places and in galleries in France. He is a member of the Lyon Academy of Painting.
Reviews from our customers
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