No title, 2025
Painting : acrylic · 24 x 32.5 x 5 cm 9.4 x 12.8 x 2 inch · Ready to hang
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
24 x 32.5 x 5 cm 9.4 x 12.8 x 2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2013
Discount
This seller offers discount when you purchase multiple artworks.
Description
This striking artwork presents a rectangular surface with boldly sculptural textures. Dominated by a vibrant orange, the upper portion of the piece immediately commands attention with its poise and energetic intensity. Below, a textural and chromatic transition unfolds, merging hues of blue, green, and yellow. These colors flourish in a complex interplay of textured layers, employing a layering technique that creates a captivating tactile and visual dimension. This balance between color and texture, simplicity and richness, is the essence of this compelling work.
Presentation
Sander Reijgers was born in 1977 in Alphen aan de Rijn, the Netherlands, and graduated with a Bachelor of Fine Arts degree from the Utrecht School of Art in 2006. In 2014, he earned his teaching degree in visual arts. In addition to his work as a freelance artist, he teaches visual education at a secondary school.
Sander Reijgers' paintings are the result of long, layered processes in which time becomes tangible. Over the years, the artist has worked on the same surface—without a pre-established plan—allowing each brushstroke, each trace of paint, and each painterly gesture to accumulate within the increasingly dense skin of the work. What emerges is not the image of a moment, but an accumulation of presence—a painted diary.
The studio becomes a space of continuous notation: impulses are recorded, layered, revisited, and recontextualized. In this practice, painting is not merely a medium, but an archive—bearing traces, memories, and rhythms of work. Gradually, the paintings evolve into sculptural objects in which the past is materially inscribed.
Rather than offering linear narratives or figurative representations, Sander Reijgers' works present a concentrated form of storing time. What we see is not what happened, but the fact that something happened—and that it left a trace. In this sense, the works are not representations, but residues of a prolonged physical and mental presence.
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