Et si tout n'était pas un hasard - Scène Nature imaginaire, 2025
Jacques Alary  

Painting : acrylic · 81 x 65 x 2 cm 31.9 x 25.6 x 0.8 inch · Ready to hang

$1,167 1 167 $US

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Shipped from: France

Delivery to: United States , $ 175

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

81 x 65 x 2 cm 31.9 x 25.6 x 0.8 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2018 • Top Seller

Description

This artwork, rich in vibrant colors and abstract forms, immediately captures the viewer's attention. It is distinguished by its bold use of black lines that delineate each section, creating a complex network of intertwined figures. A dominant eye, surrounded by organic and geometric shapes, draws the eye and evokes a sense of introspection. Shades of blue, orange, and red blend harmoniously, while superimposed layers bring depth and movement to the composition. The image's consistent asymmetry accentuates the impression of dynamism and fluidity. This creation prompts reflection on the duality of humanity and nature, suggesting an unexpected symbiosis. The artist successfully fuses abstraction and emotion to compose a work that engages the senses while inviting a personal and intimate interpretation.

Abstract

Graphic

Floral

Colors

Oniric

Butterflies

Semi-abstract

orange

Sky blue

Jacques Alary, Et si tout n'était pas un hasard - Scène Nature imaginaire

Jacques Alary

France  • 1954

Presentation

I paint what does not yet exist, giving way to my imagination and my memories, especially from childhood, which constantly lived in the imagination. Even when I start with a preconceived idea of what I am going to do, I quickly realize that I am carried far beyond my initial project. I then simply let the metamorphosis of the work take place, which is realized almost in spite of myself. I abandon myself completely to what can be assimilated to a true moment of spirituality, that is to say to a result that becomes more a work of the mind than of reason. I have the clear feeling at certain moments of becoming a true spectator of my own work and ultimately that suits me very well.

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