Chemin vers l'au-delà - Scène imaginaire cubiste, 2025
Jacques Alary  

Painting : acrylic · 81 x 65 x 2 cm 31.9 x 25.6 x 0.8 inch · Ready to hang

£871 871 £GB

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Shipped from: France

Delivery to: United Kingdom , £ 99

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

81 x 65 x 2 cm 31.9 x 25.6 x 0.8 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2018 • Top Seller

Description

This artwork presents a vibrant and complex composition, with intertwined forms and bold colors. Dominated by hues of green, red, and yellow, the image captures the eye through a dynamic interplay of curved and angular lines. Deep black outlines clearly define the sections, accentuating the contrast with the light background. Each element seems to represent a different facet of the overall image, inviting the viewer to freely interpret the subject. A piercing gaze emanates from an abstract face, adding an emotional and mystical dimension to the work. The asymmetry of the forms underscores a calculated abstraction, offering a sense of almost organic movement. This painting is distinguished by its ability to combine chaos and harmony, encouraging prolonged contemplation and revealing subtle details with each glance. The artist demonstrates a clear mastery of artistic deconstruction.

Abstract

Graphic

Lines

Oniric

Semi-abstract

Symbols

Navy blue

Green

Jacques Alary, Chemin vers l'au-delà - Scène imaginaire cubiste

Jacques Alary

France  • 1954

Presentation

I paint what does not yet exist, giving way to my imagination and my memories, especially from childhood, which constantly lived in the imagination. Even when I start with a preconceived idea of what I am going to do, I quickly realize that I am carried far beyond my initial project. I then simply let the metamorphosis of the work take place, which is realized almost in spite of myself. I abandon myself completely to what can be assimilated to a true moment of spirituality, that is to say to a result that becomes more a work of the mind than of reason. I have the clear feeling at certain moments of becoming a true spectator of my own work and ultimately that suits me very well.

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