From the Dust, 2026
Painting : charcoal · 70 x 50 x 1 cm 27.6 x 19.7 x 0.4 inch · Ready to hang
€1,858
1 858 €
Shipping & delivery
Shipped from: Israel
Delivery to: Germany , € 191
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
70 x 50 x 1 cm 27.6 x 19.7 x 0.4 inch Height x Width x Depth
Artwork dimensions including frame
72 x 52 x 2 cm 28.3 x 20.5 x 0.8 inch
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
This artwork presents a powerful exploration of form and shadow using monochrome charcoal techniques. The central image, abstract yet discernible, suggests movement and transformation, reminiscent of swirling smoke or a dynamic creature caught in motion. The bold strokes create a sense of depth, juxtaposed against softer gradient areas, lending a haunting, ethereal quality. The dark, swirling lines converge and diverge, evoking both chaos and harmony, guiding the viewer's eye across the composition. The tangible texture, achieved through varied charcoal applications, enhances the dramatic impact. This interplay of light and dark captures an atmospheric tension, inviting contemplation on the duality of presence and absence. The black frame complements the overall composition, focusing attention and adding contrast. This piece stands out as a testament to the emotive potential of monochrome art, skillfully balancing abstraction with suggestion.
Presentation
Anna Muravich (b. 1998, Israel) is an artist working in painting and drawing, and lives in Jerusalem. Her practice explores the boundaries between material and memory, presence and absence, control and surrender. Her paintings and drawings move between abstraction and figuration, combining intuitive gestures with precise thought, using oil, charcoal, and erasure. The works emerge from an ongoing dialogue with material and time. She constructs and deconstructs images repeatedly, allowing them to shift, blur, and reappear through the layers of paint. Bodily fragments and inner landscapes intertwine into new realities, where the line between painting, memory, and imagination gradually dissolves. Her work moves within the tension between existence and disappearance, seeking to give form to what has nearly vanished. The works offers an intimate reflection on transformation, moments of disintegration, reconstruction, and rebirth. She gravitates toward quiet, peripheral spaces, where a subtle yet vital presence unfolds. The idea of “the periphery of painting" serves as a point of departure' an attempt to bring what is considered marginal into the center and allow it to take shape. “My creative process unfolds between softness and sharp line, between spontaneous movement and moments of pause. Each layer bears witness to thought and action, intuition and search. I see painting as an act of listening an attempt to touch what has not yet taken name or form, to connect between past and present, memory and imagination, matter and spirit.
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