Red Sheep, Circa 1995
Painting : acrylic · 60 x 50 x 2.5 cm 23.6 x 19.7 x 1 inch · Ready to hang
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Shipped from: Israel
Delivery to: United Kingdom , £ 78
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
60 x 50 x 2.5 cm 23.6 x 19.7 x 1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021 • Top Seller
Description
The image is striking through a radical monochrome. The red saturates the space. It envelops the subject in a dense and magnetic atmosphere.
The gaze of a sheep emerges from this incandescent background. The features are simplified. Only the eyes and noses pierce the chromatic intensity to create a direct point of contact with the viewer.
This minimalist approach transforms the animal into a symbol. The composition plays on the fusion between the figure and its environment. The subject seems to emerge from the pictorial matter itself.
The artist uses acrylic here to achieve a homogeneous and deep rendering. The work on the shades of red brings a subtle relief to the face. The strength of the painting lies in this contrast between the softness of the animal and the violence of the color.
Realized in 1995, this painting explores the recurring theme of the flock. It questions innocence and sacrifice through a tight, almost intimate framing. The dark signature anchors the composition in the bottom left of the canvas.
Presentation
Menashe Kadishman (1932–2015) was an influential Israeli painter and sculptor known for his unique artistic vision that blended minimalist influences with deeply symbolic themes. Born in Tel Aviv, he studied sculpture under Moshe Sternschuss and Rudi Lehmann before moving to London in 1959. There, he immersed himself in the minimalist art movement and formed connections with artists such as Anthony Caro. His first major exhibition took place at the Grosvenor Gallery, marking the beginning of an international career.
Kadishman’s early experiences as a shepherd in a kibbutz during the 1950s had a profound impact on his art. This connection to nature and animals became a defining element of his work, culminating in his 1978 Venice Biennale installation, where he famously presented a flock of painted sheep. This theme remained central throughout his career, with his expressive depictions of sheep becoming his signature motif. In the 1990s, Kadishman also created powerful works for the Jewish Museum in Berlin, addressing themes of memory, loss, and the victims of war and violence, particularly in reference to the Holocaust. His contributions to Israeli art were recognized in 1995 when he received the prestigious Israel Prize.
Kadishman’s legacy continues to thrive in the global art scene. His works remain highly sought after by collectors, and his sculptures and paintings are frequently displayed in major museums and exhibitions worldwide. Recent retrospectives have revisited his impact on contemporary sculpture and painting, shedding new light on his innovative use of color and form. His sheep paintings, in particular, continue to resonate with audiences, symbolizing themes of sacrifice, innocence, and collective memory. His public sculptures, many of which stand in Israel and beyond, remain lasting testaments to his artistic and cultural influence.
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