MB 90, 2026
Painting : acrylic, Pigments · 130 x 97 x 3 cm 51.2 x 38.2 x 1.2 inch · Ready to hang
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
130 x 97 x 3 cm 51.2 x 38.2 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Geometric abstraction is expressed here through a rigorous balance. The composition is divided into sharp horizontal bands. A azure blue dominates the upper part. This luminous expanse meets a line of a deep, almost nocturnal blue.
The center of the canvas gives way to a neutral, silvery shade. It acts as a transition towards a bottom of the painting of a dull olive green.
The work relies on a play of contrasting textures. The use of pigments brings a raw and natural aspect. Acrylic completes the whole with a glossy finish.
The gesture alternates between the spontaneity of the brush and the precision of the knife. The latter structures the space and defines the contours of the colored blocks.
The whole evokes a stylized landscape, stripped of any superfluous detail. The painting plays on the superposition of materials to create visual depth. The canvas ends with a matte and dense base.
Presentation
My works are a real desire to express my emotions that only abstract art can translate, synonymous with freedom of thought and ideas allowing to walk without direction.
My seven years spent in Brussels, artistic and contemporary capital, nourished my creativity. Artists such as Christian-Hetzel, Gary Komarin and Allison B. Cooke also instilled powerful emotions in me, which have guided my work.
In love with colors and their associations, the use of pigments was a revelation, a technique that allowed me to develop my own color chart.
The work of the pigments gives to my realization a natural, wild aspect and the acrylic gives a brilliant texture to my canvas: I thus play on the material. I use the brush for the spontaneous movement it brings and the knife comes to structure the whole.
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