Genese, 2026
Painting : oil, Knife Painting · 50 x 50 x 2 cm 19.7 x 19.7 x 0.8 inch · Ready to hang
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
oil , Knife Painting on canvas
Dimensions ( cm • inch )
50 x 50 x 2 cm 19.7 x 19.7 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
57 x 57 x 3.5 cm 22.4 x 22.4 x 1.4 inch
Sold by
Independent artist
Credentials
Vetted seller since 2022 • Top Seller
Description
In "Genese", Sophie Dumont develops an abstract composition where geometric shapes and organic curves interweave in a balance that is both constructed and instinctive. Circles, arcs, flat areas, and verticals organize the space while revealing a sensation of movement and transformation.
The palette associates tones of terracotta, ochre, and ivory with deep browns, muted greens, and some shades of grayish blue. These colors deliberately tempered dialogue with a material worked with a knife, made of superimpositions, rubs, and traces that give the surface its depth.
The large clear shape that crosses the center of the composition acts as a space for breathing and connects the different colored masses. Around it, the shapes seem to assemble, move, or seek their own balance.
With , the artist continues her search around a constructed abstraction that never limits itself to a simple geometric play. The shapes retain an ambiguity and can evoke fragments of architecture, objects, or presences alternately. The painting thus is situated at the border between structure and imagination.
Oil on canvas, original work, 50 × 50 cm, 2026.
Presented in a wooden American box. black frame upon request
Presentation
Born in 1964 in Suresnes, near Paris, Sophie Dumont lives and works in Langrune-sur-Mer, in Normandy. Self-taught, she began to paint in 1991 and develops research focused on matter, color, and the construction of space.
Her work unfolds in several series: libraries, abstract landscapes, studios, and geometric compositions gathered under the title Interior Architectures. These ensembles explore the relationships between memory, structure, and human presence. Books become rhythms and volumes; landscapes transform into expanses of color; studios retain the signs of activity and passage. In her geometric compositions, curves and rectangles organize a space where forms can evoke an architecture, an instrument, or a silhouette without fixing themselves in a single representation.
Sophie Dumont works mainly with oil on canvas, palette knife, and brush. The painting is built slowly, through successive layers, superimpositions, scrapes, and erasures. Earlier states remain perceptible and contribute to the depth of the work. The geometry of the compositions thus dialogues with a surface marked by gesture and time.
From one series to the next, her approach maintains this same tension between construction and matter, between what appears and what remains hidden. Her works are shown in France and internationally and are featured in private collections around the world.
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