The Public Performance - Dialogue No. 4 (Strangers Together), 2026
Stoz   Emerging artists

Painting : acrylic · 42 x 30 x 0.3 cm 16.5 x 11.8 x 0.1 inch

€89 89 €
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Shipped from: Italy

Delivery to: France , € 38

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

42 x 30 x 0.3 cm 16.5 x 11.8 x 0.1 inch Height x Width x Depth

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Description

"The Public Performance" explores the themes of emotional alienation, social hypocrisy, and the masks people wear in relationships. The artwork highlights the profound contrast between outward appearances—what society expects to see—and the internal reality of two people who have become completely disconnected from one another. The Text and Irony: Written in a raw, gestural handwriting style, the text reads:

Street art

Post-Graffiti

White

Black

Stoz, The Public Performance - Dialogue No. 4 (Strangers Together)

Stoz

Italy  • 1998
1389 followers

Presentation

Born in Milan in 1998, Marco Stazzini — known as Stoz — has developed one of the most visually distinct voices to emerge from Italy'scontemporary art scene in recent years. Trained at the Brera Academy, he brings an unusual combination to his practice: the raw energy of street art culture and the compositional discipline of formal fine art education. The result is a body of work that feels both immediate and considered.

Color is the foundation of everything Stoz makes. Bold gradients move across his canvases with a tension that is hard to ignore — layered, saturated, and emotionally loaded. His paintings carry a sense of depth that rewards extended looking, shifting between graphic clarity and painterly complexity depending on how closely you engage with them. Each work has presence. Each one holds a room.

His practice extends beyond painting into sculpture, where he applies the same chromatic intensity and urban sensibility to three-dimensional form. Female figures, abstracted and adorned with intricate surface patterns, extend his visual language into physical space, creating a dialogue between canvas and object that strengthens the coherence of his overall output.

Stoz is still early in his career. At 28, he already has a recognisable signature, a growing international following, and a track record of works that move. For collectors looking to acquire a distinctive voice while the work remains accessible, his combination of emotional energy, technical range, and strong visual identity makes him one of the more compelling emerging figures in contemporary Italian art right now.

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