Old Fashioned Barbatus, 2023
Painting : mixed media · 100 x 170 x 3 cm 39.4 x 66.9 x 1.2 inch · Ready to hang
€7,000
7 000 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 210
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
100 x 170 x 3 cm 39.4 x 66.9 x 1.2 inch Height x Width x Depth
Artwork dimensions including frame
106 x 176 x 3 cm 41.7 x 69.3 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
An intense gaze fixes on the horizon. The profile of a raptor is drawn with surgical precision. The black line emphasizes the strength of the beak and the depth of the red eye.
The animal seems to merge with mechanical elements. Geometric lines and metallic structures intertwine with the feathers. This mix creates a striking contrast between the organic world and industry.
The color palette remains sober. Gray dominates the background, giving way to touches of white and beige. A few colored accents punctuate the composition, drawing attention to technical details.
The work on texture brings tangible relief. Each feather is treated like a piece of assembly. The whole evokes a hybrid creature, both protective and technological.
The rigorous execution testifies to a mastery of drawing. The composition balances between the chaos of fragments and the clarity of the portrait. The image ends with a play of dense hatching in the lower right part.
Presentation
My work is based on the hybridization of painting and sculpture. The material, the relief, the textures, and the light give birth to works where the surface becomes volume and where painting asserts a physical presence. I develop compositions where organic forms and industrial structures dialogue in a search for balance between the living and the constructed. Inspired by the complexity of circuits, I transpose their rhythms, connections, and tensions into my works. I conceive a vision where the animal world and technology can coexist. This encounter is the extension of a deeper approach: to give body to an inner force. Through the material, I seek to make visible an energy of will and determination. Each work is entirely made by hand. The superposition of materials and the work of relief reinforce this presence, until they make the painting an object that transcends its surface. I am not just looking to represent a subject. I am looking to create a presence. A work capable of capturing the gaze, establishing a silent dialogue with the one who contemplates it, and giving body to a force that, for the time of a encounter, no longer belongs only to me.
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