Half Guera Two, 2020
Alexandre Kubasik  

Painting : mixed media · 100 x 50 x 3 cm 39.4 x 19.7 x 1.2 inch · Ready to hang

€2,000 2 000 €
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Shipped from: France

Delivery to: Germany , € 180

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 50 x 3 cm 39.4 x 19.7 x 1.2 inch Height x Width x Depth

Artwork dimensions including frame

106 x 57 x 4 cm 41.7 x 22.4 x 1.6 inch

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Credentials

Vetted seller since 2021

Discount

This seller offers discount when you purchase multiple artworks.

Description

This mixed composition from 2020 explores the tension between geometric rigor and animal instinct. The gaze, focal point of the canvas, emerges from an organized chaos of broken lines and superimposed planes. 
The artist fragments the figurative silhouette to better highlight its raw power. Black and white dominate the space, creating a sharp contrast that structures the depth of the painting. 
Some touches of yellow come to break this chromatic monotony. These luminous flashes guide the eye through a complex assembly of architectural forms. 
The line is precise, almost technical, evoking a complex mechanism or an urban structure. The superposition of layers brings a marked visual relief. 
The balance between abstraction and figuration transforms the subject into a hybrid entity. The final rendering oscillates between the precision of industrial drawing and the freedom of painting. 
The whole unfolds on a vertical format where every angle seems to converge towards the center of the composition.

Geometric

Art deco

White

Black

Alexandre Kubasik, Half Guera Two
France  • 1984

Presentation

My work is based on the hybridization of painting and sculpture. The material, the relief, the textures, and the light give birth to works where the surface becomes volume and where painting asserts a physical presence. I develop compositions where organic forms and industrial structures dialogue in a search for balance between the living and the constructed. Inspired by the complexity of circuits, I transpose their rhythms, connections, and tensions into my works. I conceive a vision where the animal world and technology can coexist. This encounter is the extension of a deeper approach: to give body to an inner force. Through the material, I seek to make visible an energy of will and determination. Each work is entirely made by hand. The superposition of materials and the work of relief reinforce this presence, until they make the painting an object that transcends its surface. I am not just looking to represent a subject. I am looking to create a presence. A work capable of capturing the gaze, establishing a silent dialogue with the one who contemplates it, and giving body to a force that, for the time of a encounter, no longer belongs only to me.

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