Untitled | Blue Surreal Female Bird Underwater Artwork, 2026
Yana Dmitrieva  

Painting : oil · 70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch · Ready to hang

€2,046 2 046 €

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Shipped from: United States

Delivery to: Italy , € 109

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch Height x Width x Depth

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Description

A surreal female figure rises through a blue underwater world. This original oil artwork from the series explores displacement, adaptation, and the painful tension between where a person is and where they feel they truly belong. A pale elongated female body twists into an impossible pose, simultaneously turning toward and away from the viewer. Her raised arm transforms into the head and long beak of a bird, creating the central visual metaphor of the composition.

The figure exists beneath the water, surrounded by soft blue, turquoise, lavender, green, and sandy tones. Stingray-like forms drift around her, reinforcing the feeling that she is immersed in an environment that is beautiful but fundamentally not her own. The bird-form looks upward toward the sea surface, which from below resembles an open sky. That visual reversal becomes essential to the work: the figure belongs to the air, yet remains trapped beneath a surface she cannot currently reach.

The artist uses surreal figurative imagery, elongated anatomy, transformation, underwater symbolism, and dreamlike color to speak about resilience and dislocation without turning the work into a literal narrative. The body becomes unstable because identity itself is under pressure. Human and bird forms merge, suggesting instinct, memory, freedom, and the persistent pull toward another element.

This surreal female figurative artwork is especially suited to collectors searching for underwater surrealism, symbolic female art, bird-human transformation artwork, contemporary figurative oil art, psychological surrealism, blue figurative wall art, migration-inspired artwork, or original conceptual artwork about belonging and resilience.

It would work particularly well in a modern living room, contemporary bedroom, gallery-style interior, creative studio, collector's home, or sophisticated office. It is also a meaningful gift for a contemporary art collector, psychologist, writer, traveler, or someone who connects with themes of identity, displacement, adaptation, and personal transformation.

Medium: Oil on canvas
Materials: Professional, highly lightfast oil colors
Display: Ready to hang

Nude

Fantastic

Under Water

Anthropomorphism

Bizarre

Human body

Birds

Surrealism

Sky blue

Pink

Yana Dmitrieva, Untitled | Blue Surreal Female Bird Underwater Artwork
Montenegro  • 1981

Presentation

Yana Dmitrieva is a contemporary artist whose practice moves between figuration, abstraction, and surrealism to examine uncertainty, adaptation, and the preservation of self. Her paintings focus on moments when familiar structures begin to dissolve and identity becomes something fluid rather than fixed.

Figures in Dmitrieva's work are frequently faceless. By withholding individual expression, she shifts attention toward the body itself — its posture, tension, balance, hesitation, and instinctive response to circumstances beyond its control. Human forms stretch, merge with fish and other organisms, or inhabit spaces that seem simultaneously above and below water.

Migration forms an important conceptual undercurrent in her practice, but the work deliberately avoids literal autobiography. Displacement becomes a broader psychological condition that can arise through relocation, loss, motherhood, separation, reinvention, or any experience in which a familiar version of the self no longer feels sufficient.

Her distinctive palette of aquatic blues, luminous greens, violets, and unexpected chromatic transitions intensifies this sense of instability. Landscape becomes less a physical location than an extension of consciousness.

Dmitrieva's ongoing Displaced Bodies series considers the body as an archive of uncertainty. Rather than illustrating what has happened to a person, the paintings preserve the physical state of being caught between what was and what comes next — a vulnerable, unresolved territory in which transformation has begun but identity has not yet settled.

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