Deux oiseaux dans les bouleaux (diptyque), 2025
Jeong Min Lee  

Painting : acrylic, ink · 90 x 120 x 2.5 cm 35.4 x 47.2 x 1 inch · Ready to hang

€1,000 1 000 €
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Shipped from: France

Delivery to: France , € 80

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

90 x 120 x 2.5 cm 35.4 x 47.2 x 1 inch Height x Width x Depth

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Credentials

Vetted seller since 2016 • Top Seller

Description

This diptych captures the essence of a winter morning. The composition revolves around white birch trunks. Their graphic lines structure the space with precision. A snowy path invites the gaze toward a misty horizon. 
The technique is based on a Korean cultural heritage. The artist uses mulberry paper glued onto canvas. This raw support brings an organic and singular texture. The diluted ink and acrylic blend to create subtle nuances. 
The chromatic treatment favors harmony. White and gray tones dominate the scene. A few touches of ochre and brown highlight the dormant vegetation. Two small birds bring a discreet and lively presence to the landscape. 
The gesture is sure. The purity of the lines forms a balanced ensemble. This figurative work combines tradition and modernity in a quest for serenity. It stands out for its remarkable execution finesse. The visual rendering evokes the calm of a sleeping nature. This creation dates from 2025.

Landscape

Animal

Branches

Winter

Snow

Birds

Diptych Artworks

White

brown

Jeong Min Lee, Deux oiseaux dans les bouleaux (diptyque)

Jeong Min Lee

France  • 1962
188 followers

Presentation

Korean artist, Jeong Min Lee first trained in traditional painting. Living in France for a few years, she has retained her attachment to Korean culture through her pictorial technique. Indeed, Jeong Min Lee works on mounted paper, that is to say pasted on canvas. This very specific paper is traditionally made in Korea from mulberry leaves. The artist indeed appreciates the irregular and raw aspect of this support. Then she paints in ink. Again this is a technique rooted in Korean culture. But if of course the references to tradition are evident in Jeong Min Lee's painting, we can still see a very contemporary imprint. Indeed, the artist seeks above all the purity of lines, the very graphic aspect of his subjects. Whether it is interwoven branches or a path in the undergrowth, it is above all the composition of the canvas that interests Jeong Min Lee. His work with color is based on the principle of harmony, no colors which collide, which attack by their intensity, but on the contrary a great softness. The use of diluted ink also allows this softness of the color that blends into the canvas. Between tradition and modernity, Jeong Min Lee offers delicate work, all in finesse. Its quality of execution emphasizes a sure gesture, pure lines and a subtle color treatment.

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