Bronze Sculpture for Sale
Lueur à l'aube (dyptique), 2025
Painting : Watercolour, acrylic, ink · 60 x 120 x 2.5 cm 23.6 x 47.2 x 1 inch · Ready to hang
€720
720 €
Shipping & delivery
Shipped from: France
Delivery to: France , € 60
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour , acrylic , ink on canvas
Dimensions ( cm • inch )
60 x 120 x 2.5 cm 23.6 x 47.2 x 1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Description
Korean aesthetics meets a contemporary approach here. The mulberry paper support, glued to canvas, brings a raw and irregular texture. The diluted ink blends into it to create shades of great softness.
The composition is structured around intertwined branches that traverse the space. The line is sure, graphic, and precise. A pale disc evokes the moon and structures the light background.
The color palette rests on harmony. Touches of yellow, white, and red punctuate the dark line of the wood. These colored flashes suggest a spring bloom with finesse.
The whole plays on the balance between full and empty. The artistic gesture favors the purity of lines and visual serenity.
This painting produced in 2025 mixes watercolor, acrylic, and ink. It is part of a figurative approach where nature becomes an architectural motif.
Presentation
Korean artist, Jeong Min Lee first trained in traditional painting. Living in France for a few years, she has retained her attachment to Korean culture through her pictorial technique. Indeed, Jeong Min Lee works on mounted paper, that is to say pasted on canvas. This very specific paper is traditionally made in Korea from mulberry leaves. The artist indeed appreciates the irregular and raw aspect of this support. Then she paints in ink. Again this is a technique rooted in Korean culture. But if of course the references to tradition are evident in Jeong Min Lee's painting, we can still see a very contemporary imprint. Indeed, the artist seeks above all the purity of lines, the very graphic aspect of his subjects. Whether it is interwoven branches or a path in the undergrowth, it is above all the composition of the canvas that interests Jeong Min Lee. His work with color is based on the principle of harmony, no colors which collide, which attack by their intensity, but on the contrary a great softness. The use of diluted ink also allows this softness of the color that blends into the canvas. Between tradition and modernity, Jeong Min Lee offers delicate work, all in finesse. Its quality of execution emphasizes a sure gesture, pure lines and a subtle color treatment.
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