Bronze Sculpture for Sale
Champ de colza, 2023
Painting : Watercolour, acrylic · 38 x 46 x 2.5 cm 15 x 18.1 x 1 inch · Ready to hang
CHF 214
214 CHF
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 25
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour , acrylic on canvas
Dimensions ( cm • inch )
38 x 46 x 2.5 cm 15 x 18.1 x 1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Description
The space unfolds in a succession of verdant hills. The gaze travels from a dense foreground to a wooded horizon. Touches of yellow suggest spring vegetation in full awakening.
The composition rests on the harmony of hues. The artist uses traditional Korean paper made from mulberry leaves. This raw support brings an organic and singular texture to the scene.
The application of diluted ink creates soft transitions. The lines are precise but light. The sky, a pale blue, balances the saturation of the meadows.
The gesture is sure. The technique mixes watercolor, acrylic, and ink to translate the purity of a figurative landscape. The light seems to glide over the relief, highlighting a path that stretches into the distance. The whole exudes a contemplative serenity. This piece achieves a synthesis between ancestral know-how and a contemporary graphic approach. It stands out for its subtle treatment of color and remarkable execution finesse.
Presentation
Korean artist, Jeong Min Lee first trained in traditional painting. Living in France for a few years, she has retained her attachment to Korean culture through her pictorial technique. Indeed, Jeong Min Lee works on mounted paper, that is to say pasted on canvas. This very specific paper is traditionally made in Korea from mulberry leaves. The artist indeed appreciates the irregular and raw aspect of this support. Then she paints in ink. Again this is a technique rooted in Korean culture. But if of course the references to tradition are evident in Jeong Min Lee's painting, we can still see a very contemporary imprint. Indeed, the artist seeks above all the purity of lines, the very graphic aspect of his subjects. Whether it is interwoven branches or a path in the undergrowth, it is above all the composition of the canvas that interests Jeong Min Lee. His work with color is based on the principle of harmony, no colors which collide, which attack by their intensity, but on the contrary a great softness. The use of diluted ink also allows this softness of the color that blends into the canvas. Between tradition and modernity, Jeong Min Lee offers delicate work, all in finesse. Its quality of execution emphasizes a sure gesture, pure lines and a subtle color treatment.
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