Joie, 2021
Jeong Min Lee  

Painting : Watercolour, acrylic · 65 x 54 x 2 cm 25.6 x 21.3 x 0.8 inch · Ready to hang

CHF 444 444 CHF
Shipping & delivery

Shipped from: France

Delivery to: Switzerland , CHF 40

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

65 x 54 x 2 cm 25.6 x 21.3 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2016 • Top Seller

Description

Korean aesthetics meets a contemporary graphic approach here. The black, sharp, and assured line draws the silhouette of a flowering tree set against a geometric background. 
The composition rests on a rigorous balance. Blocks of blue, from the deepest to the lightest, structure the space. A large white circle, evoking the fullness of a moon, brings a central and serene light. 
The technique mixes ink, acrylic, and watercolor on a traditional support of mulberry paper glued onto canvas. This textile choice infuses a raw and natural texture into the whole. 
The small pink touches of the flowers punctuate the canvas with delicacy. They create a soft contrast with the rigor of the dark lines. 
The chromatic harmony avoids any visual violence. The dilution of pigments allows for fluid transitions and a soothing atmosphere. 
The work, created in 2023, plays on the purity of forms and the finesse of the gesture. It captures a suspended moment where nature is inscribed in an architectural setting. Each branch interlaces with precision to form a delicate organic network.

Floral

Landscape

figurative

Branches

Serenity

Trees

Sky blue

Pink

Jeong Min Lee, Joie

Jeong Min Lee

France  • 1962
192 followers

Presentation

Korean artist, Jeong Min Lee first trained in traditional painting. Living in France for a few years, she has retained her attachment to Korean culture through her pictorial technique. Indeed, Jeong Min Lee works on mounted paper, that is to say pasted on canvas. This very specific paper is traditionally made in Korea from mulberry leaves. The artist indeed appreciates the irregular and raw aspect of this support. Then she paints in ink. Again this is a technique rooted in Korean culture. But if of course the references to tradition are evident in Jeong Min Lee's painting, we can still see a very contemporary imprint. Indeed, the artist seeks above all the purity of lines, the very graphic aspect of his subjects. Whether it is interwoven branches or a path in the undergrowth, it is above all the composition of the canvas that interests Jeong Min Lee. His work with color is based on the principle of harmony, no colors which collide, which attack by their intensity, but on the contrary a great softness. The use of diluted ink also allows this softness of the color that blends into the canvas. Between tradition and modernity, Jeong Min Lee offers delicate work, all in finesse. Its quality of execution emphasizes a sure gesture, pure lines and a subtle color treatment.

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