Floraison Matinale, 2025
Painting : Watercolour, acrylic, ink · 100 x 100 x 2.5 cm 39.4 x 39.4 x 1 inch · Ready to hang
$1,051
1 051 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 199
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour , acrylic , ink on canvas
Dimensions ( cm • inch )
100 x 100 x 2.5 cm 39.4 x 39.4 x 1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Description
The brush glides with precision over a rare support. This traditional paper, made from mulberry leaves, brings a raw and organic relief to the composition. The technique is rooted in an ancestral Korean heritage. The diluted ink and acrylic blend into it to create fluid transitions.
The approach favors the purity of the line. Each branch, each petal responds to a rigorous graphic research. The tones balance without ever confronting each other. This chromatic harmony establishes an atmosphere of absolute serenity.
The gesture is sure, almost calligraphic. The artist plays with the voids and the fills to structure the space. One observes a constant dialogue between tradition and a contemporary vision of the landscape. The delicacy of the colored treatment emphasizes the fragility of the floral subject.
This diptych, created in 2025, mixes watercolor and ink to capture the essence of a suspended moment. A red seal comes to sign the composition, bringing a point of sharp contrast on the bluish background.
Presentation
Korean artist, Jeong Min Lee first trained in traditional painting. Living in France for a few years, she has retained her attachment to Korean culture through her pictorial technique. Indeed, Jeong Min Lee works on mounted paper, that is to say pasted on canvas. This very specific paper is traditionally made in Korea from mulberry leaves. The artist indeed appreciates the irregular and raw aspect of this support. Then she paints in ink. Again this is a technique rooted in Korean culture. But if of course the references to tradition are evident in Jeong Min Lee's painting, we can still see a very contemporary imprint. Indeed, the artist seeks above all the purity of lines, the very graphic aspect of his subjects. Whether it is interwoven branches or a path in the undergrowth, it is above all the composition of the canvas that interests Jeong Min Lee. His work with color is based on the principle of harmony, no colors which collide, which attack by their intensity, but on the contrary a great softness. The use of diluted ink also allows this softness of the color that blends into the canvas. Between tradition and modernity, Jeong Min Lee offers delicate work, all in finesse. Its quality of execution emphasizes a sure gesture, pure lines and a subtle color treatment.
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