Arrête là! - Composition abstraite, 2019
Jacques Ayel  

Painting : acrylic · 30 x 24 x 2 cm 11.8 x 9.4 x 0.8 inch · Ready to hang

$257 257 $US
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Shipped from: France

Delivery to: United States , $ 43

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30 x 24 x 2 cm 11.8 x 9.4 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2018 • Top Seller

Description

This acrylic composition of 202 explores the balance between material and light. The eye travels across a surface patterned by vertical grooves. These grooves create a tactile relief. The work on texture contrasts the fineness of the grain with the thickness of the paste.
The artist plays with the contrasts of transparency and opacity. Orangey tones dominate the central part. They gradually blend into pale green shades on the edges. The whole follows a minimalist logic. The structure is organized around a central point of convergence. From there, the lines diverge like waves or geological strata.
The rendering oscillates between roughness and smoothness. Some dark touches punctuate the right side. They bring visual depth to the whole. The light seems to emanate from the bottom of the canvas. The final rendering emphasizes a precise research into the materiality of the support. The square format accentuates the stability of this abstract exploration.

Abstract

Minimalism

Colors

Material

Pattern

orange

Jacques Ayel, Arrête là! - Composition abstraite

Jacques Ayel

France  • 1960  - 2025
52 followers

Presentation

Each painting is a unique and special experience. It is above all a spiritual adventure. Thanks to the play of materials distributed on the canvases, accidents caused by chance, colored games, the surface can begin to live, to take a desired orientation which will open the sessions of painted experiments. The choice of binder is important, glossy or matt, oil or acrylic. I sometimes use fluorescent pigments to show with the help of a UV lamp, the same paint lights up by itself: it's the “kiss cool" effect, it's another way of enjoy. 



I would like the following concepts to be found in my paintings:

Light / dark
transparency / opacity
grain thickness / fineness
smoothness / roughness

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