Bloom 6, 2026
Gela Mikava  

Painting : oil, acrylic, Textiles · 39 x 36 x 3 cm 15.4 x 14.2 x 1.2 inch · Ready to hang

CHF 690 690 CHF
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Shipped from: Georgia

Delivery to: Switzerland , CHF 104

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

39 x 36 x 3 cm 15.4 x 14.2 x 1.2 inch Height x Width x Depth

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Art gallery

Professional art gallery • France

Credentials

Vetted seller since 2015

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This seller offers discount when you purchase multiple artworks.

Description

A striking intersection of memory and matter. This abstract composition emerges on a surface of reclaimed Soviet-era biazi cotton. The textile once lined domestic ceilings. It now carries the silent weight of vanished interiors. Gela Mikava transforms this fabric into a living archive. 
A singular red form dominates the center. It suggests a fragile flower emerging from a grey haze. The pigment is applied with raw energy. Violent splashes meet soft washes. Oil and acrylic layers overlap. They mimic the process of fading and remembering. 
The pale background evokes a sense of atmospheric decay. Splatters of purple and green break the monochromatic gloom. Every brushstroke feels like an archaeological excavation. The artist peels back layers of time. He explores the psychological residue of a post-socialist landscape. 
This artwork balances fragility with permanence. The rough texture of the cloth adds a tactile dimension to the visual experience. It is a meditation on loss and endurance. The piece concludes with a slender green stem grounding the floating red petals.

Floral

Rose

Red

Gela Mikava, Bloom 6

Gela Mikava

Georgia  • 1995

Presentation

Born in 1995 in Zugdidi, Georgia, Gela Mikava is a Georgian contemporary artist who lives and works in Tbilisi. Trained as an architect, he received his BA in Architecture from Georgian Technical University in 2018 and completed his MA in 2021. His artistic practice developed at the intersection of painting, material research, and installation, exploring the relationship between personal and collective memory, material history, and contemporary experience.
A distinctive element of Mikava's practice is his use of authentic Soviet-era biazi cotton fabric, reclaimed from old domestic interiors. Previously used as ceiling covering in Soviet-period homes, the fabric is carefully removed, cleaned, and transformed into a surface for painting. For the artist, this material functions as a form of archive, carrying traces of domestic life, time, use, and disappearance before becoming part of the artwork.
Mikava's practice is closely connected to his concept of “Post-Socialist Radiation," through which he examines the subtle psychological and aesthetic traces of Soviet ideology that continue to exist within contemporary life. Working across painting, textile, collage, and installation, he employs processes of layering, absorption, washing, peeling, obscuring, and erasure to explore how memory can remain embedded within materials and surfaces.
His projects include *The Bijouterie*, *Post-Alienation*, *Infanta Destruction*, *Predators & Herbivores*, *Artificial Flowers*, and *What Remains of Gesture*. His work has been presented internationally in Europe and the United States, including a solo exhibition *It is Heard — The Silence, I See — Nothing* in Atlanta in 2024. His work has also been presented at art fairs and exhibitions in London and is held in private and institutional collections, including the Lester Marks Collection.
 

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