Affleure, 2022
Luc Arrignon  

Painting : acrylic, ink, collage · 110 x 100 x 6 cm 43.3 x 39.4 x 2.4 inch

€1,760 1 760 €
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Shipped from: France

Delivery to: Germany , € 200

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

110 x 100 x 6 cm 43.3 x 39.4 x 2.4 inch Height x Width x Depth

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Credentials

Vetted seller since 2017 • Top Seller

Description

Acrylic, inks on canvas and pine wood for the uprights, on fossil oak dated 14k carb 2400 bp
The gesture is imposed here as the central subject. The calligraphic line overlaps endlessly, creating a dense visual relief. The acrylic and ink intertwine in a spontaneous and rapid movement.
The bright yellow background brings a solar light to the composition. Touches of white and primary colors come to rhythmize the space.
This abstract piece, made in 2022, explores the boundary between writing and painting. The repetition of signs erases meaning to leave only pure form. The accumulation of layers suggests an almost tactile depth. The tension between the chaos of the strokes and the rigor of the central line guides the eye. Each superposition reveals a new chromatic nuance. The surface alternates between zones of saturation and spaces of breathing. The final rendering emphasizes the precision of a hand practiced in calligraphy.

Abstract

Abstract art

Yellow

Luc Arrignon, Affleure

Luc Arrignon

France  • 1952

Presentation

Luc Arrignon alias Lucky Loco is a French artist who lives and works in Fontenay-sous-Bois, France. Until 1995, the artist was invested in hyperrealism which allowed him meticulous observation and rigorous execution. Spontaneity was reduced to the initial conception of his work. Passionate about writing after a brief stint in lithography, Luc switched to calligraphy because of the gestures it involves. 

In the relationship between meaning and its forms, he decided to explore the form further in 1998. It has not left him to this day. This is how he paints by "Over-Calligraphing". He works mainly on two mediums. The wood he sculpts in bas-relief by over-calligraphing it with his sculptures. For 5 years, his work of sculpture has really taken off. Finally, the tarpaulin due to the installation of his workshop at the Foundry, an artistic center in Fontenay-sous-Bois. His approach requires him to be able to overwrite hundreds or even thousands of times. 

In addition to the gouges, chisels, brushes, reeds, pens and inks, he uses a "Digital Piano", two large screens, an excellent computer equipped with good software, connected to a powerful "plotter" which allows him to print large formats on quality tarpaulin. His work is thus durable, resistant to UVs, frost and rain. It is a flame-retardant work. He the creates unique digital proofs on which he intervenes again with ink, pencil and acrylic paint. Often, it surmounts some of them with carved wood and sometimes mobile folding's.

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