Archipel Ny Nosy, 2022
Luc Arrignon  

Painting : acrylic · 180 x 170 x 28 cm 70.9 x 66.9 x 11 inch

£4,991 4 991 £GB
Shipping & delivery

Shipped from: France

Delivery to: United Kingdom , £ 266

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

180 x 170 x 28 cm 70.9 x 66.9 x 11 inch Height x Width x Depth

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Credentials

Vetted seller since 2017 • Top Seller

Description

Acrylic on 7 cedar pieces forming the imprint of a hand.
The shape stands out on a neutral white background.
The relief creates a subtle play of shadows. The texture recalls raw and organic material.
A multicolored palette saturates the surface. Red, green, and purple pigments intertwine in an organized chaos.
The line is nervous. Each finger seems sculpted with precision to evoke a tangible human presence.
The grainy aspect brings a tactile dimension to the composition.
This approach transforms a simple gesture into a strong visual symbol.
The arrangement of colors suggests an internal energy that traverses the material.
The contrast between the whiteness of the support and the chromatic density emphasizes the silhouette of the hand.

figurative

Hands

Green

Purple

Luc Arrignon, Archipel Ny Nosy

Luc Arrignon

France  • 1952

Presentation

Luc Arrignon alias Lucky Loco is a French artist who lives and works in Fontenay-sous-Bois, France. Until 1995, the artist was invested in hyperrealism which allowed him meticulous observation and rigorous execution. Spontaneity was reduced to the initial conception of his work. Passionate about writing after a brief stint in lithography, Luc switched to calligraphy because of the gestures it involves. 

In the relationship between meaning and its forms, he decided to explore the form further in 1998. It has not left him to this day. This is how he paints by "Over-Calligraphing". He works mainly on two mediums. The wood he sculpts in bas-relief by over-calligraphing it with his sculptures. For 5 years, his work of sculpture has really taken off. Finally, the tarpaulin due to the installation of his workshop at the Foundry, an artistic center in Fontenay-sous-Bois. His approach requires him to be able to overwrite hundreds or even thousands of times. 

In addition to the gouges, chisels, brushes, reeds, pens and inks, he uses a "Digital Piano", two large screens, an excellent computer equipped with good software, connected to a powerful "plotter" which allows him to print large formats on quality tarpaulin. His work is thus durable, resistant to UVs, frost and rain. It is a flame-retardant work. He the creates unique digital proofs on which he intervenes again with ink, pencil and acrylic paint. Often, it surmounts some of them with carved wood and sometimes mobile folding's.

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