Manège BuisSonnant, 2026
Luc Arrignon  

Sculpture : acrylic · 60 x 52 x 7 cm 23.6 x 20.5 x 2.8 inch

£2,776 2 776 £GB
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Shipped from: France

Delivery to: United Kingdom , £ 194

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

acrylic , without pedestal

Dimensions ( cm • inch )

60 x 52 x 7 cm 23.6 x 20.5 x 2.8 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2017 • Top Seller

Description

Assembly in plywood of 15 cm wood pieces, on a rotating platform. A metal sculpture is fixed in the center, it does not move when the rest turns, thus shaking bells. The whole is hand-painted.

The spirit escapes to an imaginary territory. This figurative sculpture rises as an organic totem. It rests on a dense base. A forest of intertwined stems forms a vegetal pedestal. Textures accumulate. Acrylic colors the material with pink and green touches. The eye climbs along a vertical structure. At the top, a hand rises towards the sky. It seems to guide the viewer towards a dreamlike dimension. The work recalls the precision of the calligraphic gesture transposed into three dimensions. Each detail emphasizes a research into form and repetition. The verticality brings spiritual tension. The assembly evokes an invisible bridge between the ground and the ether. The chromatic nuances contrast with the raw structure. The whole rests on a play of balance and superposition. The piece ends with meticulous sculptural details.

figurative

Composition

Colors

Green

Luc Arrignon

France  • 1952

Presentation

Luc Arrignon alias Lucky Loco is a French artist who lives and works in Fontenay-sous-Bois, France. Until 1995, the artist was invested in hyperrealism which allowed him meticulous observation and rigorous execution. Spontaneity was reduced to the initial conception of his work. Passionate about writing after a brief stint in lithography, Luc switched to calligraphy because of the gestures it involves. 

In the relationship between meaning and its forms, he decided to explore the form further in 1998. It has not left him to this day. This is how he paints by "Over-Calligraphing". He works mainly on two mediums. The wood he sculpts in bas-relief by over-calligraphing it with his sculptures. For 5 years, his work of sculpture has really taken off. Finally, the tarpaulin due to the installation of his workshop at the Foundry, an artistic center in Fontenay-sous-Bois. His approach requires him to be able to overwrite hundreds or even thousands of times. 

In addition to the gouges, chisels, brushes, reeds, pens and inks, he uses a "Digital Piano", two large screens, an excellent computer equipped with good software, connected to a powerful "plotter" which allows him to print large formats on quality tarpaulin. His work is thus durable, resistant to UVs, frost and rain. It is a flame-retardant work. He the creates unique digital proofs on which he intervenes again with ink, pencil and acrylic paint. Often, it surmounts some of them with carved wood and sometimes mobile folding's.

Reviews from our customers

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