Dehors Dedans 4, 2026
Painting : oil · 46 x 55 x 2 cm 18.1 x 21.7 x 0.8 inch · Ready to hang
$3,250
3 250 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 186
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
46 x 55 x 2 cm 18.1 x 21.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2013 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
An interior scene opens onto the exterior in a singular perspective game. The oil is worked with generosity. The material thickens to model the bodies and volumes. Two figures rest in a bed, positioned as if in the middle of a nocturnal garden. The foreground unfolds shades of cold blue and gray.
In the background, a red house illuminates under a purple and deep sky. The chromatic contrast emphasizes the boundary between the domestic refuge and the immensity of the open air. The stroke remains supple. The contours are intentionally blurred to make way for the atmosphere. The artist sculpts the painting on the canvas. He creates a tactile relief that gives thickness to the narrative.
In the background, a red house illuminates under a purple and deep sky. The chromatic contrast emphasizes the boundary between the domestic refuge and the immensity of the open air. The stroke remains supple. The contours are intentionally blurred to make way for the atmosphere. The artist sculpts the painting on the canvas. He creates a tactile relief that gives thickness to the narrative.
Presentation
Born in 1972 in Cambrai, France, Vincent Ruffin lives and works in La Rochelle.
His style of painting is genereous and sensual, his powerful landscapes and portraits touch the viewer. The paint he displays on the canvases is thick, there is incredible richness in the materials he uses, the colors he chooses, as if he was modeling his pigments and his points of view that give intensity to the perspective, with abyssal depths. Armed with a solid technique, he searches for new narrative styles and diversity in his work.
Vincent Ruffin treats the painting as a sculpture that he “carves”; he works on its surface, its texture and its feel. In his paintings, an arid plain becomes a vertiginous landscape and a smooth face – a relief in which capricious streams have been chiseled. Each subject has fleeting contours that let raw emotion emerge, the model’s history transpire; the history we believe we can guess, the one we know, the one we dream of. Colors are vibrating: saturated, modeled, cut raw. The curves flow slowly, setting all the grace and the fragility of the moment free for us to admire.
His style of painting is genereous and sensual, his powerful landscapes and portraits touch the viewer. The paint he displays on the canvases is thick, there is incredible richness in the materials he uses, the colors he chooses, as if he was modeling his pigments and his points of view that give intensity to the perspective, with abyssal depths. Armed with a solid technique, he searches for new narrative styles and diversity in his work.
Vincent Ruffin treats the painting as a sculpture that he “carves”; he works on its surface, its texture and its feel. In his paintings, an arid plain becomes a vertiginous landscape and a smooth face – a relief in which capricious streams have been chiseled. Each subject has fleeting contours that let raw emotion emerge, the model’s history transpire; the history we believe we can guess, the one we know, the one we dream of. Colors are vibrating: saturated, modeled, cut raw. The curves flow slowly, setting all the grace and the fragility of the moment free for us to admire.
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