Cailloux 1, 2025
Painting : wax · 40 x 40 x 2 cm 15.7 x 15.7 x 0.8 inch
CHF 534
534 CHF
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 62
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
40 x 40 x 2 cm 15.7 x 15.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
This composition plays on a radical contrast. White dominates the upper part. It evokes an open space, a luminous expanse. At the bottom, a deep black anchors the scene. A thin red line underlines the horizon.
Three dark, organic shapes float on the surface. Their presence suggests rocks or fragments of ice. Their reflections stretch into the lower darkness.
A single red dot punctuates the sky. This detail draws the eye. It brings a precise balance to the whole.
The artist uses a mixture of acrylic and wax. This technique allows for layering the materials. The wax brings a physical, almost sculptural dimension. The gesture alternates between transparency and density.
The work here explores the boundary between abstraction and suggestion. The repetition of the shapes creates a calm rhythm. The whole invites serene contemplation.
Presentation
Astrid CHHOA's practice has progressively structured itself around a central axis: repetition.
It allows to question the notions of timelessness, transformation, and perception, reveals gaps, variations, and displacements.
Each occurrence, although similar, is inscribed in a dynamic of accumulation that modifies its perception.
Her work thus aims to highlight the capacity of the repetitive to generate difference, to open up spaces for interpretation, and to bring forth multiple realities.
This research is part of a broader reflection on our relationship to reality: what we perceive is never fixed, but always in becoming.
Astrid CHHOA after experimenting with several mediums (watercolor, oil...), currently favors acrylic and wax.
Wax allows her to explore a slow and physical relationship to matter, close to sculptural work, where superposition and transformation play a major role.
Conversely, acrylic offers greater immediacy in gesture, allowing to alternate between speed, transparency, and stratification.
Her work unfolds between abstraction and suggested forms, without prior formal constraint.
Each series constitutes an autonomous field of experimentation, guided by the same question
How does repetition transform our perception of reality?
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