Vanity Fair Magazine Call Me Caitlyn Cover, 2017
Painting : Watercolour, ink · 27.9 x 21.6 x 0.3 cm 11 x 8.5 x 0.1 inch · Ready to hang
CHF 815
815 CHF
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Shipped from: United States
Delivery to: Switzerland , CHF 215
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour , ink on Fine art paper
Dimensions ( cm • inch )
27.9 x 21.6 x 0.3 cm 11 x 8.5 x 0.1 inch Height x Width x Depth
Artwork dimensions including frame
33 x 25.4 x 2.5 cm 13 x 10 x 1 inch
Sold by
Credentials
Vetted seller since 2019 • Top Seller
Description
This artwork, representing a stylized Vanity Fair cover, exudes boldness through its loose, expressive brushstrokes and vibrant hues. Dominating the composition is a figure rendered in an impressionistic style, poised confidently in an elegant, strapless white garment. The intentional lack of fine detail focuses attention on the subject's strong posture and assertive gaze, embodying themes of identity and transformation. The text "Call me Caitlyn," prominently displayed beneath the title, is both personal and declarative, underscoring a significant narrative shift. The combination of casual typography and dynamic illustration creates a sense of modernity and movement. The use of soft yet striking colors enhances the piece's emotional impact, inviting viewers to engage deeply with its story and significance. The balance between minimalist form and powerful message makes this artwork a compelling visual statement.
Presentation
The worlds of fashion, society and pop culture are explored through the illustrations of Manuel Santelices, a Chilean artist and journalist living and working in New York for the last 20 years. After writing stories about style, design, art and politics for a number of magazines, including the Spanish editions of Elle, Harper's Bazaar and Esquire, and being fashion writer in New York for Vogue Mexico and Latin American for 7 years, Manuel decided to focus his attention to illustration, painting mostly with watercolors the same characters and events he covered as a journalist.
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