Close Before Striking V, 2014
Painting : Watercolour, lead mine, collage, mixed media · 50.8 x 40.6 x 0.3 cm 20 x 16 x 0.1 inch · Ready to hang
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Shipped from: United States
Delivery to: Spain , € 280
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour , lead mine , collage , mixed media on cotton paper
Dimensions ( cm • inch )
50.8 x 40.6 x 0.3 cm 20 x 16 x 0.1 inch Height x Width x Depth
Artwork dimensions including frame
61 x 50.8 x 2.5 cm 24 x 20 x 1 inch
Sold by
Credentials
Vetted seller since 2019 • Top Seller
Description
Close Before Striking V, 2014 Image size: 20 in. H x 16 in. W Frame size: 24 in. H x 20 in. W x 1 in. D Collage, watercolor, and graphite Mounted on a white frame.
This artwork is an intriguing mixed media composition that combines portraiture and handwritten text, inviting deep introspection and emotional engagement. Dominating the piece are four enigmatic, overlapping faces, each rendered in a unique style with a blend of monochrome and muted hues, capturing a raw, unfinished quality that suggests a sense of vulnerability. The background is a subtle tan, providing an understated canvas that emphasizes the portraits' emotional expressions. The upper left face is accompanied by the word "ALONE," immediately setting a tone of isolation. Below, the phrase "He hates things that use the word ‘love’" adds depth, hinting at a nuanced emotional struggle. The upper right face is marked with grid lines, overlaid with fragmented text "He’s been having the same dream since '82," evoking a sense of ongoing internal conflict and nostalgia. In the lower left quadrant, the text "SEE ME" intersects the face, surrounded by the poignant line, “He is afraid of empty rooms,” invoking feelings of solitude and fear of abandonment. Finally, the lower right portrait features a more subdued expression, annotated with “She wishes people could talk her seriously,” encircled in a red outline that symbolizes emotional distress and a plea for understanding. Each text fragment is handwritten, adding a personal, diary-like quality that draws the viewer into a psychological narrative. The overall composition, with its combination of visual and textual elements, powerfully explores themes of isolation, longing, and the complexity of human emotion, making it both a compelling and thought-provoking piece.
Presentation
Roberto Fonfría lives and works in Miami, Fl. He was born in Caracas, Venezuela in 1969. Roberto Fonfría creates stories through a random mix of found images, photographs, drawings, and words. He combines these elements and builds layers and textures using acrylics, common objects, and collage. His work explores human behavior and social rules with a critic eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines, advertising and photo albums collected at thrift stores. By extracting them from their natural context, he reconstructs them by adding references to popular culture as well as common phrases and insights that come from his Venezuelan childhood.
Reviews from our customers
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