Sans Titre, 2020
Painting : oil · 150 x 120 x 2 cm 59.1 x 47.2 x 0.8 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 522
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
150 x 120 x 2 cm 59.1 x 47.2 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2020 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
In addition to this, you need to know more about it.
"My work develops in the form of series essentially articulated around two constants:
- The achromy of black and white.
- The deconstruction of the pictorial surface. "
Presentation
Patrice Palacio is a French painter and designer born in 1977.
His work has been developing for 20 years in the form of series essentially articulated around two constants:
- The exclusive use of black and white.
- The deconstruction of pictorial perception.
Patrice Palacio develops his research in the form of series.
The subject is with him a pretext to probe the fundamental issues of Painting.
“What do we see when we look? "," Where is the gaze located? "," How to write what is not? "
Plastically, his practice focuses on luminance, the delayed, the painting object, the void.
Faced with his paintings, the viewer quickly finds himself in a figuration / abstraction duality, useless to apprehend the work, and therefore questions the relationship to the Real and to its representation.
The artist uses a precise coding-decoding protocol that he assimilates to writing.
The recomposed signs take on meaning and become an image.
Patrice Palacio speaks of a “permanent round trip from the detail to the whole, the only condition for finding the place of the gaze that teaches about one's own perception of the world".
Finally, his position as an artist in his time wants to be shifted since he declares: "It is not so much my art that is contemporary as its spectators."
Reviews from our customers
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