Sans titre, 2020

by Patrice Palacio

Painting : oil 47.2 x 59.1 x 0.8 inch

$13,439

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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Dimensions cm inch

47.2 x 59.1 x 0.8 inch Height x Width x Depth

Framing

Not framed


Artwork sold in perfect condition

Artwork location: France

Gallery certificate
Protected shipment with insurance

This series of works is composed of entirely white paintings, painted in oil on canvas. They include a led backlighting system (supplied with the work). A mains connection is therefore to be provided if you want to enjoy this work in an illuminated version. Once lit, the work reveals new patterns, invisible when the canvas is turned off. An innovative system, which will light up your interiors.

43-year-old painter, Patrice Palacio lives in the south of France.

In addition to this, you need to know more about it.
"My work develops in the form of series essentially articulated around two constants:
- The achromy of black and white.
- The deconstruction of the pictorial surface. "
Read more

About the seller

Le Réservoir. • France

Artsper seller since 2020

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Collector’s Guide

Imagine it at home

Patrice Palacio, Sans titre
Patrice Palacio

Patrice Palacio

France  • 1977

Patrice Palacio is a French painter and designer born in 1977.

His work has been developing for 20 years in the form of series essentially articulated around two constants:

- The exclusive use of black and white.

- The deconstruction of pictorial perception.

Patrice Palacio develops his research in the form of series.

The subject is with him a pretext to probe the fundamental issues of Painting.

“What do we see when we look? "," Where is the gaze located? "," How to write what is not? "

Plastically, his practice focuses on luminance, the delayed, the painting object, the void.

Faced with his paintings, the viewer quickly finds himself in a figuration / abstraction duality, useless to apprehend the work, and therefore questions the relationship to the Real and to its representation.

The artist uses a precise coding-decoding protocol that he assimilates to writing.

The recomposed signs take on meaning and become an image.

Patrice Palacio speaks of a “permanent round trip from the detail to the whole, the only condition for finding the place of the gaze that teaches about one's own perception of the world".

Finally, his position as an artist in his time wants to be shifted since he declares: "It is not so much my art that is contemporary as its spectators."


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