Shapely Controversy (Abstract painting), 2014
Painting : oil · 121.9 x 152.4 x 0.1 cm 48 x 60 x 0 inch
Shipping & delivery
Shipped from: United States
Delivery to: Germany , € 395
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
121.9 x 152.4 x 0.1 cm 48 x 60 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Note that this artwork will be sent rolled in a tube.
This method is especially safe for large works.
Rolled works can be easily stretched (for canvas works, i.e. placed onto wooden stretcher bars) and/or framed by a local framer upon arrival.
Gordon’s kaleidoscopic compositions are contemplative and evoke somewhat Orphic Cubism.
His paintings have an overwhelming presence with their colour and structure, where gestural curves, unconstrained small pattern and form play together.
Gordon is interested in the visual conversation between colours, shapes and lines, looking for the tension between the shape and the grid.
He thinks of the shapes, adjoining shapes, and clusters of shapes as little paintings in themselves, within the larger whole painting.
Presentation
Gordon graduated in Art from Brown University, Providence. He then studied with artists Tony Smith, George Sugarman and Ad Reinhardt at Hunter College, New York where he earned a MA in Art. After his studies, he had the opportunity to work for Smith and Sugarman as their assistant in their studios. Dana Gordon also studied photography and film with Aaron Siskind at the Institute of Design in Chicago.
Early in his career, Gordon produced shaped, three-dimensional canvases before re-exploring painting, directly using mark-making and line as his main vehicle or entry point.
In his 2010-2014 paintings, the line has become the edge of the shapes, providing shapes for full expression of colour. Gordon thinks of the shapes, adjoining shapes, and clusters of shapes as little paintings in themselves, within the larger whole painting.
Dana Gordon was immersed in an artistic environment during his youth, visiting many times the Art Institute of Chicago. However the epiphany that made him comprehend creativity emerged from jazz clubs, hearing and seeing the improvisations of geniuses artists Miles Davis and John Coltrane.
When painting, Gordon is interested in the visual conversation between colours, shapes and lines, this approach is depicted in his paintings likewise in essays he wrote for various publications about his inspiring artist Camille Pissaro. Dana Gordon’s kaleidoscopic compositions are contemplative and evoke somewhat Orphic Cubism.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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