Frida Kahlo in Xochimilco, Mexico, 1941
Photography : black & white edition · 39.4 x 59.7 x 0.3 cm 15.5 x 23.5 x 0.1 inch
$3,500
3 500 $US
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Shipped from: United States
Delivery to: United States , $ 250
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Not Signed
Technique & Support
Dimensions ( cm • inch )
39.4 x 59.7 x 0.3 cm 15.5 x 23.5 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
Frida Kahlo in Xochimilco, Mexico, 1941 by Leo Matiz. Black and white photography.
Image size: 15.5 in. H x 23.5 in.
“Unique Exhibition print”. “Printed later by the Leo Matiz Estate"
All photographs are accompanied by Leo Matiz Estate certificate of originality and a label.
This evocative black-and-white photograph captures a woman lying gracefully on a sunlit lawn, surrounded by a contrast of light and shadow. Her traditional attire, adorned with detailed embroidery, suggests cultural richness and timeless elegance. The composition is meticulous, with her body positioned diagonally, creating a dynamic flow across the frame. Her relaxed pose and contemplative expression evoke a sense of tranquility and introspection, as if caught in a moment of serene contemplation. The interplay of shadows adds depth and texture, enhancing the visual intrigue. Notably, the juxtaposition of light fabric against the dark grass intensifies the contrasts, highlighting the photographer's skillful manipulation of light. This artwork is a harmonious blend of serene beauty and artistic precision, inviting viewers to ponder the understated elegance of a solitary, reflective moment.
Presentation
Leo Matiz summarized his artistic pursuits by saying: “I am a painter because of activism, photographer because of hunger, and crazy because of talent.” Indeed, Matiz began his career as a caricaturist for political and literary publications, with a keen eye for gesture, features, and scathing humor. These illustrations were particularly influenced by the work of Gustave Doré, George Grosz, Nadar, and Guadalupe Posada. He later began working as a photojournalist in Mexico for a number of international publications, but began to use the medium to explore more artistic themes. His keenness for caricature served him well in his photographic portraiture, for which he is best recognized today. Matiz’s subjects included Frida Kahlo, Diego Rivera, David Alfaro Siqueiros, José Clemente Orozco, Marc Chagall, and Pablo Naruda.
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