Frida Blue House Whit the Tree, Coyoacán, 1941, 2025
Leo Matiz   Emerging artists

Photography : color edition · 41.9 x 32.5 x 0.3 cm 16.5 x 12.8 x 0.1 inch · Ready to hang

€2,325 2 325 €
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Shipped from: United States

Delivery to: Spain , € 260

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 20 copies

20 copies available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

41.9 x 32.5 x 0.3 cm 16.5 x 12.8 x 0.1 inch Height x Width x Depth

Artwork dimensions including frame

50.8 x 40.6 x 5.1 cm 20 x 16 x 2 inch

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Credentials

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Description

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photographer's skill and the artist's lively personality.

Leo Matiz is considered one of the tenth most influential photographers of the 20th century. His work as a photojournalist led him to travel extensively around the world, meeting and making friends with some of the most relevant figures of the 20th century.  Matiz was an artist who never waited for beauty to come looking for him. He looked for her with his camera, wherever she was, whether it was the face of a child lost on a city street, a landscape, architectural wonders or the now famous portraits of the legendary artist Frida Kahlo.

From Frida Khalo Series
Unframed Digital Print on Moab Juniper Baryta Rag 305gr Paper
Frame size: 20 in H x 16 in W x 2 in D
Image size: 16.5 in H x 12.8 in W
Edition 1/20 
Printed later by the Leo Matiz Estate
*Print comes with a 1 cm white border

 

Leo Matiz, Frida Blue House Whit the Tree, Coyoacán, 1941

Leo Matiz

Colombia  • 1917

Presentation

Leo Matiz summarized his artistic pursuits by saying: “I am a painter because of activism, photographer because of hunger, and crazy because of talent.” Indeed, Matiz began his career as a caricaturist for political and literary publications, with a keen eye for gesture, features, and scathing humor. These illustrations were particularly influenced by the work of Gustave Doré, George Grosz, Nadar, and Guadalupe Posada. He later began working as a photojournalist in Mexico for a number of international publications, but began to use the medium to explore more artistic themes. His keenness for caricature served him well in his photographic portraiture, for which he is best recognized today. Matiz’s subjects included Frida Kahlo, Diego Rivera, David Alfaro Siqueiros, José Clemente Orozco, Marc Chagall, and Pablo Naruda.

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