#16 From El envuelto Divino Series, 2021
Photography : color edition, archival pigment print · 101.6 x 71.4 x 0.3 cm 40 x 28.1 x 0.1 inch
$2,000
2 000 $US
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
101.6 x 71.4 x 0.3 cm 40 x 28.1 x 0.1 inch Height x Width x Depth
Sold by
Credentials
Vetted seller since 2019 • Top Seller
Description
#16, 2021 From "El Envuelto Divino" Series Archival Pigment Print on Hahnemühle paper Image size: 40 in. H x 28.1 in. W Edition of 10 + 1AP
More Editions & Sizes Small: 24 in. H x 16.8 in. W. Edition of 10 + 1AP
This intriguing artwork presents a surreal sculpture of intertwined human forms, wrapped in a web of translucent material. The figures are bent and contorted, creating a complex and visually striking composition that radiates tension and fluidity. Set on a rough, stone-like base, the work evokes themes of entrapment and liberation, as the organic shapes seem to struggle for freedom against their binding. The use of the translucent wrapping adds an ethereal dimension, subtly blurring the contours and inviting viewers to explore the dynamic interplay of light and shadow. This piece challenges the viewer’s perception of form and balance, offering a thought-provoking exploration of vulnerability and resilience within the human condition. Its minimalist setting emphasizes the raw, emotional impact of the sculpture, making it a powerful statement in contemporary art.
Presentation
Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.
In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."
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