#7 From La Piedra Sustituta II Series, 2020
Photography : color edition, archival pigment print · 101.6 x 61.5 x 0.3 cm 40 x 24.2 x 0.1 inch
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
101.6 x 61.5 x 0.3 cm 40 x 24.2 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
From "La Piedra Sustituta II" Series Archival Pigment Print on Hahnemühle paper Edition of 10 + 1AP Unframed More Editions & Sizes Small: 24 in. H x 14.5 in. W. Edition of 10 + 1AP
This artwork presents a striking composition of vulnerability and strength, centered on a subdued, earthy palette that blends human form with natural elements. A nude figure is intertwined with a large rock, arms encircling it in a gesture that suggests protection and surrender. The subject's skin tone harmonizes with the rock's texture, creating a visual symphony of organic and human material. The backdrop—a smooth, neutral shade—emphasizes the central relationship between body and stone, removing distractions and focusing attention on the tactile intimacy of the scene. The unusual positioning of the figure evokes themes of struggle, resilience, and connection to nature, making the artwork a powerful commentary on humanity's intrinsic bond with the earth. The visual tension and serenity captured in this scene prompt a profound reflection on the endurance and fragility of the human condition.
"La Piedra Sustituta" Series Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being "pointed at" or rather as self-pointing. The stone is taken by the body that is unprotected as a metaphor for the weakness that seeks protection, and the body is taken by the stone as a consequence of an insecure state, how can a stone take a body? If this is the one that "institutionally" does it.
Presentation
Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.
In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."
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