17 and 18. El Envuelto Divino, 2021
Photography : archival pigment print · 61 x 85.3 x 0.3 cm 24 x 33.6 x 0.1 inch
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
61 x 85.3 x 0.3 cm 24 x 33.6 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
This intriguing artwork juxtaposes human form with the natural presence of a chicken, creating a striking visual narrative. On the left, a nude human figure is contorted, balancing on hands and knees, with a chicken perched on its back. The stark vulnerability of the human contrasts with the confident stance of the fowl. On the right, the chicken stands independently on a stone pedestal, exuding a sense of autonomy and authority. The dual composition underscores themes of balance, power dynamics, and the intersection between humanity and nature. The minimalist background accentuates the subjects, drawing attention to their raw and unembellished forms. This artwork's bold and provocative depiction challenges conventional perceptions, inviting viewers to explore the interplay of dominance and submission within the natural world and human existence.
Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge traditional norms. His art often merges personal identity with broader cultural commentary, as seen in his notable works like "Anti-Personnel Grids" and "Self-Portrait." Sierra's pieces are a bold fusion of urban art and intimate self-exploration, reflecting his dynamic engagement with contemporary culture.
From El Envuelto Divino (The Divine Wrapping) Series. Archival Pigment Print on Hahnemühle paper Dimension: Overall size: 24 x 33.6 in. Individual Size: 24 x 16.8 in. Edition of 10 + 1AP Other sizes: 40 x 56.2 in. Edition of 10 + 1AP
Presentation
Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.
In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."
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