Mo, 2018
Nicholas Winter  

Photography : fine art print · 40.3 x 40.3 cm 15.9 x 15.9 inch · Ready to hang

€2,400 2 400 €
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Shipped from: France

Delivery to: Germany , € 64

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 5 copies

5 copies available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

40.3 x 40.3 cm 15.9 x 15.9 inch Height x Width x Depth

Artwork dimensions including frame

40.4 x 40.4 cm 15.9 x 15.9 inch

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Credentials

Vetted seller since 2021

Discount

This seller offers discount when you purchase multiple artworks.

Description
All images shot on Fuji Provia 100, 6x6cm 120 slide film, Hasselblad 500CM, 80mm lens. All prints are 40x40cm on 6mm museum glass, and mounted on reflective gold card, black wood frame.

We are surrounded and overwhelmed by the face that pleases or should please. In advertisements, magazines, TV, online and offline, the face is forever present. We live in a world of the selfie, the faces that please the taker of the image, defining what they believe they look like or should (or could) look like with the purpose of being 'liked'.

In contrast, 'forget not, recollect’, presents a different take on the portrait. Models are sat for an extended period of time, 60-90 seconds, in front of their own image, a reflection in glass. In turn the dynamic of the face that wants to be seen on the outside alters to a deeper more personal 'inner' portrait. It is these inner faces of the subjects that interest.
Through the procedure, the faces stop seeking to please the sitter (subject). Rather they become almost transparent, open, vulnerable, a window into a more personal world.

The experience in the time taken for the portrait is as if the poetical 'I' comes to the surface from behind the outer face; a lightened essence of the person and the 'things' that occupy within. It is as if we look into the portrait, the sitter, to where fear, pain, pleasure, love and loss, and memories dwell. There lies fragility of the 'inner I' below the surface, exposed and laid open with the intention of creating a moment to reflect.
Nicholas Winter, Mo
United Kingdom  • 1973

Presentation

Nicholas Winter attended his first photography class in secondary school before studying art & design and photography at Canterbury and Bournemouth colleges in England. The Fine Art Photographer produces silver photographs using darkroom techniques and processes. Nicholas Winter also manipulates Polaroids and creates photographic objects.

Based in Basel, Switzerland since 2002, Nicolas Winter's works have been shown in Europe and are part of private collections.

Fragility is a common thread in all of Nicholas Winter's artistic research.

The artist observes and examines things hidden from the surface at first glance. The photographer defines fragility by a "constant space": the space between reality and what could or should be. Within this brittle state, this layer, lies the potential to become aware of vulnerability, the impermanence of existence.

Through his photographic work, Nicholas Winter highlights the subtleties that make up our lives by clarifying the presence of fragility in our modern society.

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