Aftermath, 2014

Fiona Tan   Emerging artists

Fiona Tan is a visual artist primarily known for her photography, film and video art installations. With her own complex cultural background, Tan's work is known for its skillful craftsmanship and emotional intensity, which often explores the themes of identity, memory, and history. Tan currently lives and works in Amsterdam, the Netherlands.

In 2019, Tan completed a photography/film project titled L'archive des ombres/Shadow Archive during her residency at the Mundaneum, a repository created by Belgian visionary Paul Otlet with the goal of cataloging all human knowledge. An exhibition of the same name was staged at the Musée des Arts Contemporains[9] Grand-Hornu, Belgium in 2019.

In 2009, she represented The Netherlands at the Venice Biennale with the solo presentation Disorient.[10] She has also participated in Documenta 11, the Yokohama Triennale, the Berlin Biennale, São Paulo Biennial and also at the Istanbul Biennial, the Sydney Biennial and Asian Pacific Triennial. Her work is represented in many international public and private collections including the Tate Modern, London, Stedelijk Museum Amsterdam, Schaulager, Basel, the New Museum, New York, and the Centre Georges Pompidou, Paris.[11][better source needed]

She has been guest lecturer at many art institutions including professor at the postgraduate program De Ateliers, Amsterdam (2006–2014) and Kunsthochschule Kassel (2014–15).[citation needed]

In 2003 Tan created a poster, Lift, for Transport for London. In 2016 she directed her debut film, History's Future. Her second feature film Ascent premiered at the 2016 Locarno International Film Festival. During this year she was also the artist in residence at the Getty Research Institute in Los Angeles, California.

Tan participated in established international residencies, including IASPIS grant and residency, Stockholm (2003) and DAAD scholarship and residency, Berlin (2001).