Inside Home, 2020
Photography : black & white edition · 100 x 70 cm 39.4 x 27.6 inch
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Shipped from: France
Delivery to: United States , $ 114
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About the artwork
Type
Photography : numbered and limited to 3 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
100 x 70 cm 39.4 x 27.6 inch Height x Width x Depth
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Art gallery
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Vetted seller since 2017 • Top Seller
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This seller offers discount when you purchase multiple artworks.
Description
Mamalia series : Inside Home printed 2024. photographed in 2020.
“Each time to take from the state in which one finds oneself... often, in situations of discomfort, something surprising emerges; for example, if you have a cold, let the snot drop."
-Maria and Jan Peszek, “Nak*rwiam Zen"
The title of the project is my own creation of wordplay and associations with the term “papalia," popularized by Ryszard Zawadowski, the president of the “Memory of John Paul II" Association, referring to souvenirs, gadgets, and memories of the “Unforgettable Father of the Nation" that gained additional value after canonisation. (This title serves as a nod to the current political climate in Poland, particularly under the rule of the PiS (Law and Justice) party, closely aligned with the Catholic Church, which has been involved in censoring and policing women's bodies. It reflects the glaring absence of women's voices and agency in this context.)
Additionally, in English, “Mammal" refers to a mammal, and all mammals produce and release milk from mammary glands to feed their offspring.
“My Mamalia" is a project, a chronicle of the beginnings of my motherhood that coincided with an exceptionally turbulent time of pandemic isolation and the All-Poland Women's Strike, a reaction to the controversial ruling of the Constitutional Tribunal.
“Mamalia" includes essays about motherhood, its creations, inspirations, and frustrations.
The idea for the project arose, among other things, from my innate obsessive need for self-archiving, which I have been actively engaged in since 1989. This need may also stem from collective knowledge about the systemic erasure of women, the culture of violence, and medical misogyny.
A strong need for expression, giving a voice, addressing topics that are usually “swept under the rug" or silenced—a history that no one wanted to hear, and I feel that this history is not only mine but that of many others.
My experience of traumatic childbirth and a long, solitary stay in the pregnancy pathology ward in Krakow showed me how true the statement “women suffer in silence" is.
Presentation
Marcelina is a UK based contemporary artist working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine. She exhibits work throughout the UK as well as internationally and was a featured artist of the 2017 edition of the London Illustration fair and led a The Big Draw sketch walk for Apple. Marcelina is also a founder of artbrand Mesh Studio.
Marcelina says ‘I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as ‘nowhere else could such horrific grief be met with such fairly-tale romanticism’.
‘I tend to utilise nature as a metaphor for everyday feelings and headaches.
My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.’
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