Untitled V and Untitled IV Diptych, 2019
Photography : archival pigment print · 101.6 x 304.8 x 0.3 cm 40 x 120 x 0.1 inch
$7,000
7 000 $US
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Shipped from: United States
Delivery to: United States , $ 200
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 9 copies
9 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
101.6 x 304.8 x 0.3 cm 40 x 120 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
In this series the artist found that the rocks were so round that they looked like prehistoric holes, each one telling a story and reflecting a bit of her soul. Mauricio Velez's photographs seeks to refine the viewer's sensitivity and perception of art and the human body, elevating these elements to an aesthetic realm that can inspire, disturb, or provoke reflection. His imagery confronts the audience with themes that resonate deeply, encouraging introspection and dialogue. Vélez's work spans a diverse range of subjects, from fundamental human concerns such as good and evil or life and death, to vivid portrayals of Colombian society through portraits of its most iconic figures. His socially engaged projects tackle complex issues like violence and conflict, transforming controversial topics into visual narratives that advocate for change. Notable series such as Half Angels, Half Demons and Portraits of Society stand out as pivotal contributions, with the latter becoming a key visual resource for promoting Colombian identity on an international stage.
From the Series Colored Landscape Individual size: 40 in. H x 60 in. W Overall size: 40 in. H x 120 in. W Edition of 9 + 2AP Other sizes: 60 in. H x 160 in. W, Edition of 6 + 2AP and 24 in. H x 72 in. W, Edition of 15 + 2AP
Presentation
Mauricio Velez was born and lives in Colombia. He was trained at the European Institute of Design in Italy. Since then, he has worked on a large number of projects in Latin America, the United States and Spain, offering, through his personal prism - images which he seeks to refine the sensitivity and perception of the viewer towards religious icons, art, and the human body.
His work confronts the viewer with a sense of aesthetics that balances between the spiritually inspired and the disturbed.
"In few photographers like Mauricio Velez does aesthetic become ethic. Every portrait scene is seamless. Every composition is an impeccable piece: the light, gesture, even the preference in models. Nothing can be discredited of the photographic style neither the clean technic. And for this aesthetic perfection, the message lends to the viewer in its pure state."
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