18 and 16. El Envuelto Divino, 2021
Photography : archival pigment print · 61 x 85.3 x 0.3 cm 24 x 33.6 x 0.1 inch
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
61 x 85.3 x 0.3 cm 24 x 33.6 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
This artwork showcases a striking juxtaposition of forms, split into two panels. On the left, a delicately crafted bird stands poised on robust concrete, its fragile feathers meticulously detailed, creating a stark contrast with the sturdy base. This symbolizes a balance between nature and industrialization. On the right, a human form crouches, enveloped in translucent material, evoking vulnerability and entrapment. The figure, with legs firmly planted on a similar concrete block, mirrors the bird's position, creating a dialogue between human and avian. This juxtaposition highlights themes of fragility, confinement, and the intersection of natural and man-made worlds. The use of concrete symbolizes strength and permanence, while the ephemeral wrapping material suggests transience and uncertainty, inviting viewers to contemplate the delicate balance and interdependence within the environment.
Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge traditional norms. His art often merges personal identity with broader cultural commentary, as seen in his notable works like "Anti-Personnel Grids" and "Self-Portrait." Sierra's pieces are a bold fusion of urban art and intimate self-exploration, reflecting his dynamic engagement with contemporary culture.
From El Envuelto Divino (The Divine Wrapping) Series. Archival Pigment Print on Hahnemühle paper Dimension: Overall size: 24 x 33.6 in. Individual Size: 24 x 16.8 in. Edition of 10 + 1AP Other sizes: 40 x 56.2 in. Edition of 10 + 1AP
Presentation
Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.
In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."
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