Planet Plastic II, 2018
Photography : color edition, archival pigment print · 69.9 x 90.2 x 0.3 cm 27.5 x 35.5 x 0.1 inch
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Shipped from: United States
Delivery to: Germany , € 327
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 6 copies
6 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
69.9 x 90.2 x 0.3 cm 27.5 x 35.5 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
This artwork presents a striking and provocative juxtaposition of contrasting elements, immediately capturing the viewer’s attention. Central to the composition is a nude figure, standing confidently and assertively with arms crossed, exuding a sense of bold defiance. This figure is flanked by four soldiers, each clad in uniform and holding rifles, their identical stances and expressions suggesting discipline and authority. The soldiers, dressed in muted green uniforms and berets, are positioned against a weathered, textured wall, which adds an element of decay and rawness to the scene. The stark contrast between the militaristic precision of the soldiers and the vulnerability yet fearless demeanor of the central figure creates a tension-filled narrative, inviting interpretations on themes such as power, vulnerability, and defiance. The lighting in the artwork accentuates the figures, casting subtle shadows that emphasize their forms against the distressed backdrop. This interplay of light and shadow adds depth to the composition, highlighting the texture of both the wall and the individuals. The work challenges traditional norms and societal constructs, encouraging viewers to question and explore the dynamics of strength, freedom, and resistance in a world often dominated by uniformity and control.
1964, Uwe Ommer, a young 20-year-old photographer who recently arrived from Cologne, lives in a small room on Boulevard St-Marcel. Every weekend, he goes to the market on rue Mouffetard to photograph the inhabitants on the fly. These rare images are the testimony of a Paris that has now disappeared and that of one of its emblematic districts.
Presentation
Born in Bergisch-Gladbach, Germany, Uwe Ommer became fascinated with photography at a young age. Initially sparked by his interest in photographing birds, he received his first camera at age 14 and began experimenting with his limited equipment. By the time Ommer was 18, he had given up on birds, but was improving his skills as a photographer. He began working as an apprentice in a camera shop and soon picked up side projects for local papers, shooting everything from car accidents to weddings, when staff photographers were unavailable.
In 1962, Ommer was awarded the first Deutscher Jugend Photo Preis (German Youth Photo Prize) at Photokina 1962 for his photograph of children playing soccer. The following year, he left for Paris (for only one year to learn French, he insisted) and began working as an assistant to advertising photographer Jean Pierre Ronzel. While Ommer did perfect his French, he never did leave Paris.
In 1966 he opened his own photography studio, primarily shooting fashion and advertising photos for small women's magazines. Quickly gaining respect for his work in Paris, Ommer began showing in local galleries and eventually published his first book.
In 1995, Ommer drastically changed gears and decided to embark on a project unlike anything he had ever done before – a project unlike anything anyone had ever done before. As a personal challenge, he set out the following year to document all types of families on every continent at the turn of the millennium. With a Landrover, Rolleiflex camera, portable studio, one assistant, many maps, many guidebooks Ommer visited 130 countries in the following four years, interviewing and photographing over 1000 families. Taschen published the catalog titled “1000 Families" in 2000 when the photographs were first exhibited to the public in Cologne, Germany in September at Photokina 2000. Since then, the exhibition has toured the world and has received praise for the scope and beauty of the photographs, and their simple message of commonality.
In 2002, Uwe Ommer was awarded an Honorary Fellowship to the Royal Photographic Society for the impact of his lifetime of work.
Reviews from our customers
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