Alaska. From the Mani series., 1993
Photography : color edition, archival pigment print · 69.9 x 99.8 x 0.3 cm 27.5 x 39.3 x 0.1 inch
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Shipped from: United States
Delivery to: United States , $ 200
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 6 copies
6 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
69.9 x 99.8 x 0.3 cm 27.5 x 39.3 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
This striking artwork presents a surreal and thought-provoking scene set against the shimmering backdrop of a vast, icy seascape. Dominating the composition are two human figures, poised with athletic grace on a small ice floe. They energetically raise a vibrant American flag, which catches the light with its bold red, white, and blue colors, a symbol of resilience and national identity amidst a changing environment. To their left, two polar bears tread carefully across separate icebergs, their presence a poignant reminder of the natural world's interplay with human influence. The tranquility of their movement adds depth and a contemplative contrast to the dynamic act of flag-raising. In the sky above, a postage stamp is affixed, marked with a red cancellation mark. This detail introduces a layer of commentary on globalization and communication, possibly suggesting a message about the passage of time and the urgency of environmental awareness. The composition cleverly juxtaposes elements of nature and human ambition, inviting viewers to reflect on themes of patriotism, climate change, and coexistence. The use of vast, open space and reflective water enhances the dreamlike quality of the piece, making it both a captivating and sobering visual experience.
Presentation
Born in Bergisch-Gladbach, Germany, Uwe Ommer became fascinated with photography at a young age. Initially sparked by his interest in photographing birds, he received his first camera at age 14 and began experimenting with his limited equipment. By the time Ommer was 18, he had given up on birds, but was improving his skills as a photographer. He began working as an apprentice in a camera shop and soon picked up side projects for local papers, shooting everything from car accidents to weddings, when staff photographers were unavailable.
In 1962, Ommer was awarded the first Deutscher Jugend Photo Preis (German Youth Photo Prize) at Photokina 1962 for his photograph of children playing soccer. The following year, he left for Paris (for only one year to learn French, he insisted) and began working as an assistant to advertising photographer Jean Pierre Ronzel. While Ommer did perfect his French, he never did leave Paris.
In 1966 he opened his own photography studio, primarily shooting fashion and advertising photos for small women's magazines. Quickly gaining respect for his work in Paris, Ommer began showing in local galleries and eventually published his first book.
In 1995, Ommer drastically changed gears and decided to embark on a project unlike anything he had ever done before – a project unlike anything anyone had ever done before. As a personal challenge, he set out the following year to document all types of families on every continent at the turn of the millennium. With a Landrover, Rolleiflex camera, portable studio, one assistant, many maps, many guidebooks Ommer visited 130 countries in the following four years, interviewing and photographing over 1000 families. Taschen published the catalog titled “1000 Families" in 2000 when the photographs were first exhibited to the public in Cologne, Germany in September at Photokina 2000. Since then, the exhibition has toured the world and has received praise for the scope and beauty of the photographs, and their simple message of commonality.
In 2002, Uwe Ommer was awarded an Honorary Fellowship to the Royal Photographic Society for the impact of his lifetime of work.
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