All the others in me. (Milan), 2012
Photography : color edition, archival pigment print · 110 x 69.9 x 0.3 cm 43.3 x 27.5 x 0.1 inch
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About the artwork
Type
Photography : numbered and limited to 5 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
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Dimensions ( cm • inch )
110 x 69.9 x 0.3 cm 43.3 x 27.5 x 0.1 inch Height x Width x Depth
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Description
All the others in me. (Milan) Gicleé print on cotton rag 43.3" x 27.5" Ed 4/5 +1AP 2012 ALL THE OTHERS IN ME Marrakech Biennale MOAD Miami MAMBO Bogota.
This artwork presents a striking exploration of form and mystery, featuring a figure entirely enveloped in black fabric. The material cascades over the human shape beneath, creating a silhouette that is both haunting and captivating. The smooth curvature and folds of the garment suggest motion or transformation, challenging the viewer to question the identity and emotion hidden within. The stark contrast between the deep black of the fabric and the muted beige background enhances the figure's enigmatic presence, drawing attention to its anonymity. This piece masterfully captures themes of concealment and identity, evoking a sense of intrigue and introspection. Its minimalistic yet powerful composition invites viewers to contemplate the boundaries between presence and absence, offering a unique commentary on the human condition.
The body, in opposition to this language system and ironically living it, speaks through organs, plays with images, sounds, smells, textures, mixtures, everything reacts, absorbs, and transpires. For the 4th Marrakech Biennale, Arjona creates a very particular piece in her body of work as it is the first to directly allude to gender policies. Simulating a striptease in which she takes off clothes but does not undress, the artist examines the connotation of "femininity" and the wishes and desires of the public. The revival of the piece shows an androgynous body that fuses the genres and proposes a fluid body territory.
Presentation
María José Arjona (b.1973 in Santa Fe de Bogotá, Colombia) lives and works in her native Bogota.
The Kiss was a self-taken photograph and was part of her solo exhibition in New York at the Art Space Location One, in 2012. The Kiss maps a system uniting two bodies. It is a gesture magnified by the use of sound emerging from the action of kissing and intensified by the working presence of the performer's body.
“The Kiss" (is a long durational performance), a breathing system where the performer's body becomes the intersection enabling the entire organism to work, reveals the intricate rhythm between lungs, fluids, and muscles while kissing. The body is the kiss: the plane of action created by it. This intersecting plane finds its translation into sound via the repetitive action of inflating and deflating two huge latex balloons."
Maria José Arjona is a performance artist focused on affirming the body through long durational exercises addressing process, time, memory and power. Her performances have been exhibited in museums and galleries in South America, Europe, China, and the United States and have been reviewed by Art Nexus, Arte Al Dia, The New York Times, The Guardian (UK), Whitewall Magazine, The Miami Herald, El Nuevo Herald, and many others. She participated as a re-performer at Marina Abramovic's retrospective at The Museum Of Modern Art in New York and started touring with her own work at The Madre Museum in Naples (Italy) as part of the program “Corpus, Arte In Azione". The itineration of this project includes locations in Bologna (Italy), Bergen and Oslo (Norway), New York (US), Vienna (Austria) and will end in 2010 in Colombia as part of the National Salon sponsored by the Ministry of Culture of Colombia.
Arjona will have a solo exhibition in 2018 at the Museum of Modern Art in Bogota.
Find this artist and many more in our collection of works from the dance photography movement.
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