#18. From La Piedra Sustituta II Series, 2020
Photography : color edition, archival pigment print · 101.6 x 58.4 x 0.3 cm 40 x 23 x 0.1 inch
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About the artwork
Type
Photography : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Not Signed
Technique & Support
Dimensions ( cm • inch )
101.6 x 58.4 x 0.3 cm 40 x 23 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
#18, 2020 by Jose Sierra From "La Piedra Sustituta" Series Image size: 40 in. H x 23.09 in. W Edition of 10 + 2AP Unframed More Sizes Available: Small size: 24 in. H x 14.39 in. W Edition of 10 + 2AP.
This provocative artwork portrays a surreal juxtaposition of human and nature. A nude figure is curled around a large rock, their body meticulously folded, evoking themes of vulnerability and confinement. Above, a fish hovers, seemingly suspended in time and space, its presence both unexpected and symbolic. The contrast between the grounded, tangible human form and the ethereal fish suggests a dialogue between earthbound reality and the freedom of the aquatic realm. The stark minimalism of the gray backdrop amplifies the surreal quality, focusing attention entirely on the figures. The meticulous detail of the human form and the fish's shimmering scales invites contemplation on the interconnectedness of life forms. This piece challenges viewers to explore themes of isolation, connection, and the surreal possibilities of existence.
"La Piedra Sustituta" Series Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being "pointed at" or rather as self-pointing. The stone is taken by the body that is unprotected as a metaphor for the weakness that seeks protection, and the body is taken by the stone as a consequence of an insecure state, how can a stone take a body? If this is the one that "institutionally" does it.
Presentation
Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.
In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."
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