Human body
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La lune n'a rien à craindre des loups #1
VAM / Jean-Pierre Gilson
Photography - 80 x 120 x 0.5 cm Photography - 31.5 x 47.2 x 0.2 inch
$3,572
La lune n'a rien à craindre des loups #2
VAM / Jean-Pierre Gilson
Photography - 80 x 120 x 0.5 cm Photography - 31.5 x 47.2 x 0.2 inch
$3,572
Extraction n°2
Manon Deck-Sablon
Photography - 80 x 120 x 0.1 cm Photography - 31.5 x 47.2 x 0 inch
$3,237
0205
Salvatore Arnone
Photography - 89.9 x 69.9 x 0.3 cm Photography - 35.4 x 27.5 x 0.1 inch
$2,200
La fille à la fenêtre
Franck Rozet
Photography - 100 x 50 x 0.6 cm Photography - 39.4 x 19.7 x 0.2 inch
$2,791
HeartBeat, Selfportrait
Chiara Mazzocchi
Photography - 50 x 70 x 0.3 cm Photography - 19.7 x 27.6 x 0.1 inch
$553
La piscine n°5
Camille Brasselet
Photography - 50 x 75 x 0.1 cm Photography - 19.7 x 29.5 x 0 inch
$1,507
Le feu sacré, Noto, août 2022
Veronica Mecchia
Photography - 18 x 24 cm Photography - 7.1 x 9.4 inch
$670
Acanthus, Noto, Août 2021
Veronica Mecchia
Photography - 24 x 18 cm Photography - 9.4 x 7.1 inch
$670
Vendedores de pájaros Diptych
Celso Castro
Photography - 68.6 x 101.6 x 0.3 cm Photography - 27 x 40 x 0.1 inch
$3,000
Towards the land of joy
Guido Argentini
Photography - 100 x 100 cm Photography - 39.4 x 39.4 inch
$10,046
Don't Tell Mamma #17
Koray Erkaya
Photography - 119.4 x 81.3 x 0.3 cm Photography - 47 x 32 x 0.1 inch
$5,000
Self Touches #05
Koray Erkaya
Photography - 119.4 x 81.3 x 0.3 cm Photography - 47 x 32 x 0.1 inch
$4,900
RED! (Polyptych) #1-7-6-4-12
David Jay
Photography - 152.4 x 508 x 0.3 cm Photography - 60 x 200 x 0.1 inch
$25,000
Chejeru Diosa de la fertilidad. Cultura Piaroa, Venezuela
Antonio Briceño
Photography - 100 x 160 x 0.1 cm Photography - 39.4 x 63 x 0 inch
$7,591
Sisyphe IV
Patrick Strajnic
Photography - 50 x 50 x 1 cm Photography - 19.7 x 19.7 x 0.4 inch
$1,440
Sisyphe III
Patrick Strajnic
Photography - 50 x 50 x 1 cm Photography - 19.7 x 19.7 x 0.4 inch
$1,440
Fragmented-Untitled 4
Ying Chen
Photography - 203.2 x 152.4 x 0.3 cm Photography - 80 x 60 x 0.1 inch
$4,000
Glo V GF
Patrick Strajnic
Photography - 100 x 100 x 4 cm Photography - 39.4 x 39.4 x 1.6 inch
$1,440
Rod Stewart – Beverly Hills, Los Angeles, 1976
David Steen
Photography - 97 x 137 x 0.01 cm Photography - 38.2 x 53.9 x 0 inch
$4,130
Erosi Art - Bananas - Tribute to Handy Wharol (20)
Erosi Art
Photography - 78 x 60 x 0.8 cm Photography - 30.7 x 23.6 x 0.3 inch
$726
Haskins Posters Front Cover
Sam Haskins
Photography - 61.2 x 52.7 cm Photography - 24.09 x 20.76 inch
$7,100
Roman Statue Study 8
Luca Artioli
Photography - 101.6 x 68.6 x 0.3 cm Photography - 40 x 27 x 0.1 inch
$3,000
Roman Statue Study 8
Luca Artioli
Photography - 101.6 x 68.6 x 0.3 cm Photography - 40 x 27 x 0.1 inch
$3,000
Roman Statue, Study II
Luca Artioli
Photography - 101.6 x 68.6 x 0.3 cm Photography - 40 x 27 x 0.1 inch
$3,000
Roman Statue Study 7 B&W
Luca Artioli
Photography - 101.6 x 68.6 x 0.3 cm Photography - 40 x 27 x 0.1 inch
$3,000
Roman Statue Study 7
Luca Artioli
Photography - 101.6 x 68.6 x 0.3 cm Photography - 40 x 27 x 0.1 inch
$3,000
Seed II - From the Desert Flower series. NYC
Guilherme Licurgo
Photography - 58.4 x 88.9 x 0.3 cm Photography - 23 x 35 x 0.1 inch
$2,500
Seed II, From the Desert Flower series
Guilherme Licurgo
Photography - 88.9 x 58.4 x 0.3 cm Photography - 35 x 23 x 0.1 inch
$2,500
Seed III, From the Desert Flower series
Guilherme Licurgo
Photography - 88.9 x 58.4 x 0.3 cm Photography - 35 x 23 x 0.1 inch
$2,500
Seed V, From the Desert Flower series
Guilherme Licurgo
Photography - 88.9 x 58.4 x 0.3 cm Photography - 35 x 23 x 0.1 inch
$2,500
Seed VI, From the Desert Flower series
Guilherme Licurgo
Photography - 88.9 x 58.4 x 0.3 cm Photography - 35 x 23 x 0.1 inch
$2,500
Seed IX, From the Desert Flower series
Guilherme Licurgo
Photography - 88.9 x 58.4 x 0.3 cm Photography - 35 x 23 x 0.1 inch
$2,500
Seed III, From the Desert Flower series
Guilherme Licurgo
Photography - 88.9 x 58.4 x 0.3 cm Photography - 35 x 23 x 0.1 inch
$2,500
Desert Flower, Canary Islands.
Guilherme Licurgo
Photography - 88.9 x 58.4 x 0.3 cm Photography - 35 x 23 x 0.1 inch
$3,000
Butterfly B29
Giuliano Bekor
Photography - 101.6 x 101.6 x 2.5 cm Photography - 40 x 40 x 1 inch
$20,500
Roman statue study 09. B&W
Luca Artioli
Photography - 101.6 x 68.6 x 0.3 cm Photography - 40 x 27 x 0.1 inch
$3,000
Chess and a Chase #1
Rani Bruchstein
Photography - 60 x 60 x 2 cm Photography - 23.6 x 23.6 x 0.8 inch
$4,861
A whirlwind of emotions #2
Rani Bruchstein
Photography - 60 x 60 x 2 cm Photography - 23.6 x 23.6 x 0.8 inch
$4,861
1830
Salvatore Arnone
Photography - 89.9 x 69.9 x 0.3 cm Photography - 35.4 x 27.5 x 0.1 inch
$2,200
Untitled.22, From Paranoia series
Salvatore Arnone
Photography - 69.9 x 100.1 x 0.3 cm Photography - 27.5 x 39.4 x 0.1 inch
$2,200
Untitled.17, From Paranoia series
Salvatore Arnone
Photography - 88.9 x 127 x 0.3 cm Photography - 35 x 50 x 0.1 inch
$2,500
L'ascension du Mont Anna par la face Est
J.Léo
Photography - 90.01 x 60 cm Photography - 35.4 x 23.6 inch
$2,791
Don't Tell Mamma #11
Koray Erkaya
Photography - 119.4 x 81.3 x 0.3 cm Photography - 47 x 32 x 0.1 inch
$5,250
Don't Tell Mamma #8
Koray Erkaya
Photography - 88.9 x 88.9 x 0.3 cm Photography - 35 x 35 x 0.1 inch
$5,250
Black beauty II
Léa Bon
Photography - 48 x 72.6 x 0.3 cm Photography - 18.9 x 28.59 x 0.1 inch
$6,000
Oil of sexuality
Léa Bon
Photography - 30 x 19.8 x 0.3 cm Photography - 11.8 x 7.8 x 0.1 inch
$8,000
Human body
'I wanted to conquer the world. But I also desperately wanted to understand human nature, and to know what was inside our bodies. To do this, I have spent whole night dissecting bodies, against the direct orders of the Pope. Nothing disgusts me. What I am looking for, truly, in all of my work and particularly in my painting, what I have looked for all my life, is to understand the mystery that is human nature' – from the notebooks of Leonardo da Vinci in the 16th century.
At the time of writing these notes, da Vinci had already made greater understanding of the human body the primary objective of his investigations. Dissection and study were key to his development of a holistic knowledge of anatomy, which da Vinci believed was vital to the perfect rendering of the nude figures which he painted and drew.
Little by little, the traditional image of the human figure was uprooted and in its place new ways of interpreting the body developed. Contemporary artists relentlessly questioned the traditional codes of figure drawing, liberally reworking the representation of the body to create a new image that was dislocated, geometric, deformed and disfigured.
The body as an artistic subject is at once desired, fantasised, dreamt, transformed, deformed. For painters, photographers and sculptors alike the body represents a rite of passage in their artistic development. Many people say that they most appreciate the talents of an artists by way of their control over the complexity of the figure. For example, it's clear even in Matisse's later, more abstract collages that he had perfectly mastered the human form.
Representation of the body is fundamental to Western art: first and foremost because it suggests a representation of the self, and therefore affirms the artist's own existence and coexistence with the environment that surrounds them. At the beginning of art history, the only bodies represented were the gods, supernatural beings, and spirits who had taken on human form. The body, nude or clothed, is at once one of the most widely depicted and most deeply polemical subjects in Western art (think of the scandals provoked by Courbet's 'Origins of the World', or Renoir's 'Picnic on the Grass').
The body has always been the primary subject of an array of themes, and its history is rich and ancient. Initially, depiction of the body was closely linked to religion, where the Word became flesh in Genesis, but later in more secular times the arousal of the artist when faced with the body made for an equally popular theme. Latterly the notion of the body as an object of beauty was subverted by Cubism until depictions of bodies no longer bore any resemblance to reality or made any pretence of respecting the rules of proportion.
Finally, in modern art the body has taken on an abstract shape within space, becoming one with the environment. In some instances, the body has become the artist's own support, as with Klein's models. The body as an abstract concept is tangible in many different manifestations in art, even in pieces as unassuming as some of Rothko's paintings. It remains the subject of inexhaustible inspiration and eternal debate.